The palatial Late Antique Roman villa at La Olmeda was built in several stages, beginning in the second quarter of the fourth century and extending in use at least to the end of the fifth. The villa complex centers on the elite quarters of rigorously symmetrical disposition, wherein twenty-seven rooms, twelve with mosaic floors, are disposed around a central patio crossed with mosaic paths in geometric patterns and linked round its perimeter by a wide peristyle. This main building housed the poentior, with its oecus or reception hall, centered in the east wing featuring a particularly resplendently mosaiced floor. Slightly raised semicircular apses mark its northeastern and northwestern end rooms.
The main body of the villa communicated with a baths by a grand passageway. The principal front of the main block faces south, with a porticoed gallery ending in octagonal tower blocks. The residential quarters face north with two rectangular corner towers.
The complex also included working and living quarters of more rustic aspect, kilns for baking roof tiles on the site, three burial grounds, and a section of paved roadway.
Today the site open to the public, while a museum dedicated to the finds is housed in the nearby church of San Pedro de Saldaña.References:
The Castle of Gruyères is one of the most famous in Switzerland. It was built between 1270 and 1282, following the typical square plan of the fortifications in Savoy. It was the property of the Counts of Gruyères until the bankruptcy of the Count Michel in 1554. His creditors the cantons of Fribourg and Bern shared his earldom. From 1555 to 1798 the castle became residence to the bailiffs and then to the prefects sent by Fribourg.
In 1849 the castle was sold to the Bovy and Balland families, who used the castle as their summer residency and restored it. The castle was then bought back by the canton of Fribourg in 1938, made into a museum and opened to the public. Since 1993, a foundation ensures the conservation as well as the highlighting of the building and the art collection.
The castle is the home of three capes of the Order of the Golden Fleece. They were part of the war booty captured by the Swiss Confederates (which included troops from Gruyères) at the Battle of Morat against Charles the Bold, Duke of Burgundy in 1476. As Charles the Bold was celebrating the anniversary of his father's death, one of the capes is a black velvet sacerdotal vestment with Philip the Good's emblem sewn into it.
A collection of landscapes by 19th century artists Jean-Baptiste-Camille Corot, Barthélemy Menn and others are on display in the castle.