Ciudad Rodrigo Cathedral, Ciudad Rodrigo, Spain

Construction of the Ciudad Rodrigo Cathedral began in the 12th century and did not finish until the 14th century. The architecture of the cathedral is uniform, despite later reforms and additions that can be seen in some of the chapels, such as the San Blas chapel.

The Portico del Perdón alone contains more than 400 Romanesque and Gothic sculptures of great beauty. Although it began in the 12th century, the work continued to the 15th, meaning that its style shows a clear transition from Romanesque to Gothic, as well as the Neoclassic tower.

One of the principal attractions is the impressive Gothic vault. The choir should not be forgotten either, strangely it has no religious motifs instead is decorated with fauna and flora images. The cloister is wonderful and is where the contrast between the two styles of architecture is best noted.

Another jewel, the impressive Portico del Perdon is compared by some to the Catedral de Santiago de Competela. During the War of Independence this part of the building was fired at by Napoleonic troops and has the impacts of cannon fire on it.

References:

Junta de Castilla y León

User Reviews

kytuuup (3 years ago)
If you like to reminesce and get to know more about Spain historically this is one of those you should visit and take 2 days in the city to appreciate the local restaurants

Mª Evangelina Rodríguez (3 years ago)
Preciosa tanto desde el exterior como desde el interior. Merece la pena entrar y dedicarle un ratito a mirar los detalles del claustro. La visita al museo también tiene interés. Es pequeño, está muy bien presentado para admirar las imágenes preciosas, casi todas de autores anónimos, los cuadros, ornamentos y hasta varios pares de zapatos y guantes de los obispos que dan un toque del día a día en la vida de los antiguos obispos. Recomiendo la visita.

Lou Acero (4 years ago)
Worth taking the time to see.

Javier Jiménez (4 years ago)
Ok

Mark Auchincloss (4 years ago)
Beautiful 12th/14th romanesque/gothic style Cathedral. Roman cloisters. Amazing 13th Pardon Porch similar to The Glory Porch in Santiago Cathedral.The hand carved choral chairs are pretty too. See if you can spot where the apostle Santiago is in the ceiling!

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Photo from Flickr, copyright *Checco*

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Saint-Eustache

The Church of St Eustace was built between 1532-1632. St Eustace"s is considered a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.

The origins of Saint Eustache date back to 13th century. The church became a parish church in 1223, thanks to a man named Jean Alais who achieved this by taxing the baskets of fish sold nearby, as granted by King Philip Augustus. To thank such divine generosity, Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr. The construction of the current church began in 1532, the work not being finally completed until 1637. The name of the church refers to Saint Eustace, a Roman general of the second century AD who was burned, along with his family, for converting to Christianity, and it is believed that it was the transfer of a relic of Saint Eustache from the Abbey to Saint-Denis to the Church of Saint Eustache which resulted in its naming. Jeanne Baptiste d"Albert de Luynes was baptised here.

According to tourist literature on-site, during the French Revolution the church, like most churches in Paris, was desecrated, looted, and used for a time as a barn. The church was restored after the Revolution had run its course and remains in use today. Several impressive paintings by Rubens remain in the church today. Each summer, organ concerts commemorate the premieres of Berlioz’s Te Deum and Liszt’s Christus here in 1886.

The church is an example of a Gothic structure clothed in Renaissance detail. The church is relatively short in length at 105m, but its interior is 33.45m high to the vaulting. At the main façade, the left tower has been completed in Renaissance style, while the right tower remains a stump. The front and rear aspects provide a remarkable contrast between the comparatively sober classical front and the exuberant rear, which integrates Gothic forms and organization with Classical details. The L"écoute sculpture by Henri de Miller appears outside the church, to the south. A Keith Haring sculpture stands in a chapel of the church.

The Chapel of the Virgin was built in 1640 and restored from 1801 to 1804. It was inaugurated by Pius VII on the 22nd of December, 1804 when he came to Paris for the coronation of Napoleon. The apse chapel, with a ribbed cul-de-four vault, has at its centre a sculpture of the Virgin and Child of Jean-Baptiste Pigalle that the painter Thomas Couture highlighted by three large paintings.

With 8,000 pipes, the organ is reputed to be the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ originally constructed by P.-A. Ducroquet was powerful enough for the premiere of Hector Berlioz" titanic Te Deum to be performed at St-Eustache in 1855.

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