The Iglesia de Santo Tomé is a church located in the historical center of the Toledo, and was founded after the reconquest of this city by King Alfonso VI of León. It appears quoted in the 12th century, as constructed on the site of an old mosque of the 11th century. This mosque, together with other mosques in the city, were used as Christian churches without major changes, since in the taking of the city there was no destruction of buildings.
However, at the beginning of the 14th century, being in a ruinous state was totally rebuilt in charge of Gonzalo Ruiz de Toledo, Lord of Orgaz and the old minaret of the mosque was transformed into a bell tower in Mudéjar style. Its fame is mainly due to the fact that it contains the painting The Burial of the Count of Orgaz by El Greco, which can be seen by accessing the back of church.
Santo Tomé has two baroque reredos, one plateresque and a baptismal font of the 16th century. It highlights an image of the Virgin Mary of 12th century and the reredos with Ionic elements of the greater chapel of the 19th century, that replaced an earlier churrigueresque, in this reredos is in its central part a painting, 'The unbelief of St. Thomas', by the painter Vicente López Portaña.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.