The Hospital de Tavera is an important Building of Renaissance style in Toledo. It was built between 1541 and 1603 by order of the Cardinal Tavera. This hospital is dedicated to John the Baptist and also served as pantheon for its patron, Cardinal Tavera. Initially it began to be constructed under the supervision of Alonso de Covarrubias, being succeeded by other architects and finishing the work Bartolomé Bustamante.
Currently the building remains the property of the House of Medinaceli and inside it is the Museo Fundación Lerma, which houses part of the artistic collections of this lineage, as well as the Section of the Nobility of the National Historic Archive.
The appearance of the building is that of a Florencian Renaissance palace, except for the portal, that was constructed in the 18th century, between the years 1760 and 1762. It is a regular building with an Italian-style façade, with equidistant and rectangular windows on the lower floor and semicircular on the upper, being the opposite of the extreme. The ensemble is joined by two columned twinned courtyards, separated and joined together by a double arcade that crosses them towards the church.
In the museum there is a large archive of documents and numerous works of art of great value are preserved: paintings by El Greco, Ribera, Tintoretto, Luca Giordano , Titian, Snyders and Jacopo Bassano, among others. One of the few portraits painted by Zurbarán, and a copy of Tiziano's Equestrian Portrait of Charles V, painted by Sánchez Coello. Equally exceptional is the sculpture of the Resurrected Christ, by El Greco. In addition, it lodges in its dependencies the building of the old pharmacy of the hospital and the Section of the Nobility of the National Historic Archive.References:
Glimmingehus is the best preserved medieval stronghold in Scandinavia. It was built 1499-1506, during an era when Scania formed a vital part of Denmark, and contains many defensive arrangements of the era, such as parapets, false doors and dead-end corridors, 'murder-holes' for pouring boiling pitch over the attackers, moats, drawbridges and various other forms of death traps to surprise trespassers and protect the nobles against peasant uprisings. The lower part of the castle's stone walls are 2.4 meters (94 inches) thick and the upper part 1.8 meters (71 inches).
Construction was started in 1499 by the Danish knight Jens Holgersen Ulfstand and stone-cutter-mason and architect Adam van Düren, a North German master who also worked on Lund Cathedral. Construction was completed in 1506.
Ulfstand was a councillor, nobleman and admiral serving under John I of Denmark and many objects have been uncovered during archeological excavations that demonstrate the extravagant lifestyle of the knight's family at Glimmingehus up until Ulfstand's death in 1523. Some of the most expensive objects for sale in Europe during this period, such as Venetian glass, painted glass from the Rhine district and Spanish ceramics have been found here. Evidence of the family's wealth can also be seen inside the stone fortress, where everyday comforts for the knight's family included hot air channels in the walls and bench seats in the window recesses. Although considered comfortable for its period, it has also been argued that Glimmingehus was an expression of "Knighthood nostalgia" and not considered opulent or progressive enough even to the knight's contemporaries and especially not to later generations of the Scanian nobility. Glimmingehus is thought to have served as a residential castle for only a few generations before being transformed into a storage facility for grain.
An order from Charles XI to the administrators of the Swedish dominion of Scania in 1676 to demolish the castle, in order to ensure that it would not fall into the hands of the Danish king during the Scanian War, could not be executed. A first attempt, in which 20 Scanian farmers were ordered to assist, proved unsuccessful. An additional force of 130 men were sent to Glimmingehus to execute the order in a second attempt. However, before they could carry out the order, a Danish-Dutch naval division arrived in Ystad, and the Swedes had to abandon the demolition attempts. Throughout the 18th century the castle was used as deposit for agricultural produce and in 1924 it was donated to the Swedish state. Today it is administered by the Swedish National Heritage Board.
On site there is a museum, medieval kitchen, shop and restaurant and coffee house. During summer time there are several guided tours daily. In local folklore, the castle is described as haunted by multiple ghosts and the tradition of storytelling inspired by the castle is continued in the summer events at the castle called "Strange stories and terrifying tales".