The Iglesia de San Román is located in one of the highest and privileged places of Toledo. There is already documents of the parish in the 12th century and the church would be consecrated in 1221 by the archbishop Rodrigo Ximénez de Rada. The tradition indicates that in it was crowned king to Alfonso VIII of Castile the August 26 of 1166.
The church presents floor plan with three naves, separated by horseshoe arches with alfiz that support on pillars With Visigoth and Roman columns attached to capitels are reused from Visigothic origin in some cases, distinguishing themselves by its Corinthian leaves.
Throughout 13th century a new apse was constructed and the robust tower of Toledan Mudéjar style; In addition to being realized the murals to the fresco in Romanesque painting figurative combined with typically Mudéjar decorations. Of great beauty, these are considered the most southern of Spain. The frescoes are divided into two areas separated by inscriptions. They emphasize the four winged evangelists and the representations of archbishops, the saints Stephen and Lawrence, angels or the Final Judgment.
In the 16th century, Alonso de Covarrubias designed the apse with Plateresque dome of coffers in the main chapel; and later covered the paintings, which lost its traces until the first third of the 20th century in which these were rediscovered. It was not until the 1940s that these were recovered where possible.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.