The Cathedral of St Justus and St Pastor in Alcalá de Henares was constructed between 1497 and 1515 in late Gothic style. The tower was built between 1528 and 1582.
During the Spanish Civil War (1936-1939) the church was burned losing virtually all its treasures, saving some bars and some chairs from the old choir. In 1991 the diocese of Alcalá restored and elevated to the status of cathedral-master, the Diocese Complutense recovering that which was from the 5th century until 1099.
The exterior of the Cathedral is simple and austere. The walls are covered by molding type Segovia. They emphasize the cover of the western facade of Flamboyant Gothic style, in which central medallion depicted on Saint Ildefonso; and the tower, designed by Rodrigo Gil de Hontañón and Rodrigo Argüello, in herrerian style, with a height of 62.05 meters. Top is a beautiful spire tower slate.
The cathedral has a severe seventeenth century cloister arches between pilasters. Soils appear covered by Renaissance carpets from nearby convents. In one of the walls the grave of Cardinal Cisneros remains.
The building's interior is divided into three naves covered by cross vaults resting on pillars fasciculados. The overall shape of the building resembles the traditional Latin cross with marked transept. The entire building suffered much in that fire, and countless works of art and objects of great historical, devotional and sentimental value were lost. Today the cathedral houses apart from its religious functions, an interpretive center and the Cathedral Museum.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.