Ses Païsses is a Bronze Age talayotic settlement in northeastern Majorca. It is one of the most important and best-preserved prehistoric sites in the Balearic Islands, although it is largely overgrown with woodland, mainly Quercus ilex (holm oak), making it impossible to see the site as a whole.
The Ses Païsses settlement is thought to have begun as a cylindrical talaiot, or 'turriform', built during the first millennium BC (c. 900–800 BC) on a hillside with a commanding view of the surrounding countryside. Originally it would have stood alone, probably as a territorial marker. The tower is 12m in diameter and still stands 4m tall; there are stairs within the massively thick wall, but the building's central column has not survived. Visitors to the site are not allowed to access this building.
The talaiots are Bronze Age megalithic structures on the islands of Menorca and Majorca. There are at least 274 of them. Dating from the late second millennium and early first millennium BC (between 1,300–900 BC), they are round or square structures built of rough stone, around a central space at the center of which stood a column. This supported a ceiling of stone slabs which also formed the floor of the next story. Their purpose is not clearly understood: religious or tribal ceremonies, storehouses and distribution centres have been suggested. They are not thought to have been used as dwelling places or as defensive buildings.
These monuments pre-date the taulas, which are usually found nearby. The Talaiotic Culture began some 3,000 years ago and ended with the arrival of the Romans in the Balearic Islands in 123 BC.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.