Taivassalo Church is the oldest of the three medieval stone churches in Finland that are dedicated to the Holy Cross. The construction of the church is believed to have begun between the years 1425 to 1440. In 1460s, the third aisle was built and the inner walls were decorated with new murals. It was the first time in Finland that frescos were painted to nearly all important surfaces of a church by a group of professional artists.
The medieval altarpiece as well as wooden sculptures of Taivassalo Church were donated to The National Museum of Finland in 1890. However, Taivassalo Church still has a magnificent triumph crucifix above the altar, in front of the chancel window. This crucifix is one of the oldest and best preserved crucifixes in Finland. The rococo front of the organ, which is unusual by Finnish standards, has remained intact ever since 1767 although the organ has been replaced several times.
As a whole, the church with its murals looks much the same as it would have looked at the end of the Middle Ages.
The Castle of Gruyères is one of the most famous in Switzerland. It was built between 1270 and 1282, following the typical square plan of the fortifications in Savoy. It was the property of the Counts of Gruyères until the bankruptcy of the Count Michel in 1554. His creditors the cantons of Fribourg and Bern shared his earldom. From 1555 to 1798 the castle became residence to the bailiffs and then to the prefects sent by Fribourg.
In 1849 the castle was sold to the Bovy and Balland families, who used the castle as their summer residency and restored it. The castle was then bought back by the canton of Fribourg in 1938, made into a museum and opened to the public. Since 1993, a foundation ensures the conservation as well as the highlighting of the building and the art collection.
The castle is the home of three capes of the Order of the Golden Fleece. They were part of the war booty captured by the Swiss Confederates (which included troops from Gruyères) at the Battle of Morat against Charles the Bold, Duke of Burgundy in 1476. As Charles the Bold was celebrating the anniversary of his father's death, one of the capes is a black velvet sacerdotal vestment with Philip the Good's emblem sewn into it.
A collection of landscapes by 19th century artists Jean-Baptiste-Camille Corot, Barthélemy Menn and others are on display in the castle.