Tempio Civico della Beata Vergine Incoronata

Lodi, Italy

The Tempio Civico della Beata Vergine Incoronata is a church in Lodi. It is considered one of the masterworks of the Lombard Renaissance art. The church was designed in 1488 by Giovanni Battagio (a pupil of Bramante), continued by Gian Giacomo Dolcebuono and finished by Giovanni Antonio Amadeo.

The church is located in a very narrow street near the Piazza della Vittoria, Lodi's most famous square. It has an octagonal plan, surmounted by a dome with the same shape with a lantern at the top. Externally, running around the octagonal tambour is a balaustrade with small columns and pinnacles. The bell tower was built in 1503, while the façade was completed only in 1879 by Alfonsino Truzzi.

The interior is characterized by sumptuous decorations in gold; in the upper sector is an arcaded matronaeum with blue and golden columns. It also houses a large gallery of artworks from the late 15th to the early 19th century, executed by the major artists working in Lodi. There are four panels by Bergognone, including an Annunciation and a Presentation at the Temple, reproducing the church's interior of the time. The Berinzaghi Polyptych and an Incoronation of the Virgin are by brothers Martino and Albertino Piazza. Finally, Callisto Piazza and Stefano Maria Legnani executed here some of his greatest works.

Annexed is a Museum of the Incoronata's Treasure.

 

References:

Comments

Your name

Website (optional)



Address

Via Incoronata 23, Lodi, Italy
See all sites in Lodi

Details

Founded: 1488
Category: Religious sites in Italy

More Information

en.wikipedia.org

Rating

4.8/5 (based on Google user reviews)

User Reviews

Gilles 51 (17 months ago)
Meraviglioso! Nel cuore della città, a due passi da piazza Duomo nascosto in via dell' Incoronata, si trova questo gioiello del rinascimento lombardo. L'interno con sontuose decorazioni in oro ti lascia senza fiato, altrettanto il bellissimo organo a canne dal 1500 con le ante dipinte raffiguranti 'la Madonna con Bambino e San Bassiano '. La cupola si presenta a pianta ottagonale con gli otto spicchi a forma di ombrello. Una vera bellezza!
Emilio Dede (18 months ago)
Splendida e più unica che rara, questa Chiesa che da il nome alla via, alla metà della quale è ubicata, si trova a pochi metri dalla piazza centrale di Lodi e defilata su una via a destra del Duomo. Bisogna vederla, non si può descrivere, vedrete le fotografie e giudicherete voi. Per sua sfortuna, Lodi, non è nei circuiti turistici principali e questa Chiesa è solo casualmente visitata da turisti, anche se mi è capitato di vedere un gruppo di giapponesi! Non so come abbiano fatto ad arrivarci, probabilmente dei professori o architetti professionisti di storia dell'arte. La chiesa è tutt' ora aperta ai riti liturgici, anche se con orari particolari, comunque dopo la liturgia è visitabile come un museo, con una bravissima guida, gratuitamente. Occasione da non perdere. Save the date: Lodi, Chiesa Dell' Incoronata, Italia.
Tommaso Parlanti (18 months ago)
Un gioiello nascosto di incomparabile bellezza. In un ambiente raccolto e di dimensioni relativamente ridotte abbiamo un perfetto esempio di architettura rinascimentale (con rimaneggiamenti barocchi) carica di elementi simbolici e stilistici e con dipinti di elavata qualità. Un ricordo speciale della bravissima ed appassionata custode/guida Alice che (in modo del tutto facoltativo, ma decisamente consigliabile) conduce con gentilezza e competenza il visitatore nella scoperta di questo luogo magico offrendo una molteplicità di informazioni utili per una maggiore comprensione.
DAVID SNYDER (19 months ago)
Extraordinary and beautiful.
Dave J (20 months ago)
Very beautiful place
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Saint Sophia Cathedral

The St Sophia's Cathedral was built between 1045-1050 inside the Novgorod Kremlin (fortress). It is one of the earliest stone structures of northern Russia. Its height is 38 m. Originally it was taller, for during the past nine centuries the lower part of the building became concealed by the two-metre thick cultural layer. The cathedral was built by Prince Vladimir, the son of Yaroslav the Wise, and until the 1130s this principal church of the city also served as the sepulchre of Novgorodian princes. For the Novgorodians, St Sophia became synonymous with their town, the symbol of civic power and independence.

The five-domed church looks simpler but no less impressive than its prototype, the thirteen-domed St Sophia of Kiev. The cathedral exterior is striking in its majesty and epic splendour evoking the memories of Novgorod's glorious past and invincible might. In the 11th century it looked more imposing than now. Its facade represented a gigantic mosaic of huge, coarsely trimmed irregular slabs of flagstone and shell rock. In some places (particularly on the apses), the wall was covered with mortar, smoothly polished, drawn up to imitate courses of brick or of whitestone slabs, and slightly coloured. As a result, the facade was not white, as it is today, but multicoloured. The play of stone, decorative painting and the building materials of various texture enhanced the impression of austere simplicity and introduced a picturesque effect.

The two-storied galleries extend along the building's southern, western and northern sides, with a stair-tower constructed at the north-eastern corner. The cathedral has three entrances - the southern, western and northern, of which the western was the main one intended for ceremonial processions. A gate standing at the entrance is known as the Sigtuna Gate (mid-12th century); according to legend, it was brought from the Swedish town of Sigtuna in 1187. The second name of the gate derives from the town of Magdeburg, where it was made. The two leaves are decorated with biblical and evangelical scenes in cast bronze relief. In the lower left corner there are portraits of the craftsmen who created this superb specimen of medieval Western European bronze-work. An inscription in Latin gives their names, Riquin and Weissmut. The small central figure - judging from an inscription in Slavonic - is a representation of the Russian master craftsman Avraam, who assembled the gate.

There is yet another bronze gate in the cathedral, called the Korsun Gate. Made in the 11th century in Chersonesos, Byzantium, it leads from the southern gallery into the Nativity Side-Chapel. Legend has it that the gate was handed over to Novgorod as a gift of Prince Yaroslav the Wise (c. 978 - 1054).

The interior of the cathedral is as majestic as its exterior. It is divided by huge piers into five aisles, three of which end in altar apses. In the south-western corner, inside the tower, there is a wide spiral in relatively small, modest buildings of the 12th - 16th centuries.