The Royal Palace of Milan (Palazzo Reale di Milano) was the seat of government of the city for centuries. Today it serves as a cultural centre and home to expositions and exhibitions.
Originally designed with a structure of two courtyards, the palace was then partially demolished to make room for the Duomo. The palace is located to the right of the facade of the cathedral opposite the Galleria Vittorio Emanuele II. The facade of the building follows the style of the ancient courtyard, forming a recess in respect to Piazza del Duomo, known as the Piazzetta Reale.
The magnificent Hall of Caryatids can be found on the main floor of the building. It occupies the site of the old theatre, which burned down in 1776 and is the only room that survived the heavy bombings of 1943. The damage caused by the incendiary and violent air movement was followed by a state of abandonment for over two years, which contributed to further serious damage to the building. Many of the neoclassical interiors of the Palace were lost.References:
For centuries, the Astrakhan Kremlin was inapproachable stronghold in the south-eastern border of the Russia. The first construction of the Kremlin began in 1587-1588 under the guidance of I.G. Vorodkov, a lector of Discharge Order. He laid the first wooden fortress with powerful solid walls and towers. The place of construction was chosen on the hill, known as “Rabbit” or “Zayachii” in Russian.
During the reign of Ivan IV The Terrible and Boris Godunov the wooden fortress was rebuilt into a stone one. For the development of Kremlin walls and towers state-owned official masters were headed from Moscow to Astrakhan. For best results executives used the old, but very strong Tatar plinths which were brought from the ruins of the cities of the Golden Horde towns. Stone citadel was built by the type of Moscow Kremlin.
Next two centuries have become relatively calm for the Kremlin. Its buildings were repaired, rebuilt and renewed. However, in the beginning of 20th century after the October Revolution access to the Kremlin was closed. Instead it was transformed as a military post, where groups of Red Guards were formed the Military Revolutionary Committee was placed.
In January 1918 Astrakhan Kremlin was once again in the middle of fateful events, when supporters of Soviet power fought with Astrkhan Cossaks. They attacked The Red Army that was entrenched in the Kremlin, from roofs of nearby buildings. Serious destruction was caused to the Kremlin after this battle. In 1919 the Army was reorganized under the leadership of Kirov to protect the outfall of Volga and to defeat the White Guard troops and foreign interventionists.
Only after the end of the World War II the town opened the access to the Kremlin. At the same time Kremlin ceases to be subject of military purposes. In the mid-20th century significant restoration works were held, due to which many buildings, requiring urgent repairs were saved.
In 1974 the Astrakhan Kremlin became a museum. Nowadays citizens and tourists of Astrakhan have the access to museum exhibits of the lifestyle of the Astrakhan Garrison. Moreover they can see Casual Suits archers and scorers, elements of their weapons and ammunition, the exhibition dedicated to the history of popular uprisings and corporal punishment. In 2011, after the restoration of the kremlin, Guardhouse exposition was opened, which tells about the life of Astrakhan military garrison of the 19th century.
Construction of Assumption Cathedral began in 1699 and lasted almost 12 years. The bell tower was erected in 1710. The exterior of the Cathedral was decorated with molded brick and carved with white stone. Windows and dome heads were framed by columns in the style of Corinthian décor and semicircular arches were filled with paintings with biblical plot. Three of such arches were arranged on each side of the temple.
The cathedral was divided into two floors: the upper church is dedicated to the honor of the Assumption of the Blessed Virgin. Tall and light temple was intended for ceremonial worships during warm months. The lower church which is dark lightened and surrounded by the gallery columns.