Known as Castelasc in Lombard local language, the Castle of Cuasso is one of the most important defensive buildings in the province of Varese and Insubria. Founded in medieval times, it stands upon a hill which gives name to the whole city of Cuasso al Monte. Nowadays only ruins remain of the ancient structure.
Due to the lack of written sources, the history of the castle is still, in some respects, mysterious. The few studies and on-site digs have found out that it was built close to an ancient road that connected Milan to the alpine passages of San Bernardino Pass and Gotthard Pass. Its building on top of a gorge made the fortress impossible to seize. Its closeness to the river Cavallizza, which flows through an area rich in silver, lead and gold, could also suggest that it played a preeminent role in controlling the managing of the mineral wealth of the region.
The castle was built in many different stages. The most ancient tower, which dates back to Roman times, was enlarged during the Lombard age. Some believe that it was built by a Saxon workforce. Paul the Deacon, in his book Historia Langobardorum, records about 20,000 Saxons, who followed king Alboin in spring 568. The Saxons descended from the same ancestors, as both people had lived in Roman Germany during the first century A.D, in the area around the river Elbe. In 734 a part of 20,000 Arimannia left Italy, as they strongly disagreed with the Lombards' power. So, the Castle was surely a military defense of the road that connected Como and the Gotthard: in fact, before the bridge of Melide was built, the main road ran through it.
Later it was part of the Seprio's County, and it was permanently abandoned in the 13th century. Until the mid 16th century the castle of Cuasso housed the local parish; then, during the following centuries, it was used as a cemetery. Finally, the castle was brought back to its function of observation tower when the Cadorna Line was built.References:
Monastery of São Vicente de Fora (Monastery of St. Vincent Outside the Walls) is a 17th-century church and monastery in the city of Lisbon. It is one of the most important monasteries and mannerist buildings in the country. The monastery also contains the royal pantheon of the Braganza monarchs of Portugal.
The original Monastery of São Vicente de Fora was founded around 1147 by the first Portuguese King, Afonso Henriques, for the Augustinian Order. The Monastery, built in Romanesque style outside the city walls, was one of the most important monastic foundations in mediaeval Portugal. It is dedicated to Saint Vincent of Saragossa, patron saint of Lisbon, whose relics were brought from the Algarve to Lisbon in the 12th century.
The present buildings are the result of a reconstruction ordered by King Philip II of Spain, who had become King of Portugal (as Philip I) after a succession crisis in 1580. The church of the monastery was built between 1582 and 1629, while other monastery buildings were finished only in the 18th century. The author of the design of the church is thought to be the Italian Jesuit Filippo Terzi and/or the Spaniard Juan de Herrera. The plans were followed and modified by Leonardo Turriano, Baltazar Álvares, Pedro Nunes Tinoco and João Nunes Tinoco.
The church of the Monastery has a majestic, austere façade that follows the later Renaissance style known as Mannerism. The façade, attributed to Baltazar Álvares, has several niches with statues of saints and is flanked by two towers (a model that would become widespread in Portugal). The lower part of the façade has three arches that lead to the galilee (entrance hall). The floorplan of the church reveals a Latin cross building with a one-aisled nave with lateral chapels. The church is covered by barrel vaulting and has a huge dome over the crossing. The general design of the church interior follows that of the prototypic church of Il Gesù, in Rome.
The beautiful main altarpiece is a Baroque work of the 18th century by one of the best Portuguese sculptors, Joaquim Machado de Castro. The altarpiece has the shape of a baldachin and is decorated with a large number of statues. The church also boasts several fine altarpieces in the lateral chapels.
The Monastery buildings are reached through a magnificent baroque portal, located beside the church façade. Inside, the entrance is decorated with blue-white 18th century tiles that tell the history of the Monastery, including scenes of the Siege of Lisbon in 1147. The ceiling of the room has an illusionistic painting executed in 1710 by the Italian Vincenzo Baccarelli. The sacristy of the Monastery is exuberantly decorated with polychromed marble and painting. The cloisters are also notable for the 18th century tiles that recount fables of La Fontaine, among other themes.
In 1834, after the religious orders were dissolved in Portugal, the monastery was transformed into a palace for the archbishops of Lisbon. Some decades later, King Ferdinand II transformed the monks' old refectory into a pantheon for the kings of the House of Braganza. Their tombs were transferred from the main chapel to this room.