The Palazzo Salis is situated in the heart of the historic centre of Tirano, a small town in the valley Valtellina. The building got constructed during the second half of the 17th century by the noble family von Salis-Zizers, a branch of the important and well known grison family von Salis.
The palace was erected in the 1490s by Ludovico Sforza, Duke of Milan. The start of the construction is dedicated to Giovanni Salis-Zizers, who even became in the 1660s twice podestà of Tirano. About in the middle of the 17th century he bought and sold different properties to finally have the land to build his Palazzo. The entire structure of the Palazzo Salis is the result of the integration and change of already well established buildings, most probably already from the 15th or 16th century. The general style of the face of the building is a leftover of the facades of those 16th century buildings. The imposing doorway of the main entrance took its inspiration from a 16th-century design of the well-known architect Giacomo Barozzi da Vignola. The ground plan of the building is structured and organised mainly around two courtyards, named corte della meridiana (Sun-dial Courtyard) and corte dei cavalli (Courtyard of Horses).
The Palazzo is still in the hands of the family Salis and is run today as a Museum. More than ten rooms decorated with frescoes and stucco from the 17th and 18th century, as well as the hidden Italian Garden on the backside of the building are opened for the public.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.