The Albertinum was built between 1884 and 1887 by extending a former armoury, or arsenal, that had been constructed between 1559 and 1563 at the same location. The new building was designed by the regional master builder Carl Adolf Canzler in the Renaissance Revival style to house the royal Collection of Antique and Modern Sculptures. The building was named after the Saxonian King Albert who reigned at the time. In 1889, the Sculpture Collection was moved in and has since remained there.
Besides the Sculpture Collection, the Albertinum has housed the New Masters Gallery (Galerie Neue Meister) in the upper rooms since 1965. It was also the temporary postwar home of the Numismatic Cabinet (Münzkabinett) and the Green Vault (Grünes Gewölbe) until the exhibitions were moved to the rebuilt Dresden Castle in 2002 and 2004.
The floods of 2002 necessitated renovating the Albertinum and building a new flood-proof depository. After closing in 2006, the building was finally reopened on June 20, 2010 as a 'house of the modern' with the New Masters Gallery and the Sculpture Collection.
The Albertinum houses the New Masters Gallery (Galerie Neue Meister) and the Sculpture Collection (Skulpturensammlung). The holdings of the two museums, with paintings ranging from Caspar David Friedrich to Ludwig Richterand sculptures from Auguste Rodin to the 21st century, are displayed on three floors in exhibition halls with a modern look.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.