The Villa Poppaea is an ancient Roman seaside villa situated in the ancient Roman town of Oplontis (the modern Torre Annunziata). Evidence suggests that it was owned by the Emperor Nero, and it is believed to have been used by his second wife, Poppaea Sabina, as her main residence when she was not in Rome.
Like many of the other houses in the area, the villa shows signs of remodeling, probably to repair damage from the earthquake in 62 CE. The oldest part of the house centers round the atrium and dates from the middle of 1st century BCE. During the remodeling, the house was extended to the east, with the addition of various reception and service rooms, gardens and a large swimming pool.
Like many of the frescoes that were preserved due to the eruption of Mount Vesuvius, those decorating the walls of the Villa Poppaea are striking both in form and in color. Many of the frescoes are in the “Second Style” of ancient Roman painting, dating to ca. 90-25 BCE. Details include feigned architectural features such as trompe-l'œil windows, doors, and painted columns.
Frescoes in the caldarium depicting Hercules in the Garden of the Hesperides are painted in the 'Third Style' (also called the Ornate Style) dating to ca. 25 BCE-40 CE. Attention to realistic perspective is abandoned in favor of flatness and elongated architectural forms which “form a kind of shrine' around a central scene, which is often mythological.
Villa Poppaea is part of the UNESCO World Heritage Site Archaeological Areas of Pompei, Herculaneum and Torre Annunziata.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.