Devenish Island contains one of the finest monastic sites in Northern Ireland. A round tower thought to date from the twelfth century is situated on the island, as are the walls of the Oratory of Saint Molaise who established the monastery in the 6th century, on a pilgrim route to Croagh Patrick in County Mayo. It became a centre of scholarship and although raided by Vikings in 837 and burned in 1157, it later flourished as the site of the parish church and St Mary's Augustinian Priory.
There are extensive low earthworks on the hillside, but the earliest buildings are St Molaise's House (a very small church) and the fine round tower close by, both with accomplished Romanesque decoration of the 12th century. The round tower is some 30 metres tall and can be climbed using internal ladders. It features a sculptured Romanesque cornice of heads and ornament under the conical stone roof. Nearby is a cross carved with spiral patterns and human heads. There are also several cross-slabs, one with an interlace design and a mediaeval carved cross. Near the round tower, the foundations of another tower were found, which the present tower probably superseded.
The smallest of the three churches (Mo-Laisse's House, named after the founder of the monastery) dates from the late 12th or early 13th century. It has narrow antae with bases carved with classical motifs. Only the lower parts of the walls and some of the roofstones survive.
Teampull Mór, the lower church, dates from the early 13th century with a beautifully moulded south window. It was extended to the east in about 1300, and later additions include a residential wing to the north and the Maguire Chapel to the south, with 17th-century heraldic slabs.
On the hilltop sits St Mary's Augustinian Priory which is of the mid-15th century and early 16th century, with church, tower and small north cloister. The priory has an intricately carved mid-15th-century high cross in its graveyard. The Devenish cross dates from the 15th century and is gothic in style. It is thought to have been carved by Matthew O’Dubegan, who also carved the sacristy doorway. The cross has decorative carvings and motifs, including a depiction of the crucifixtion on the upper part of the shaft.
There are several hundred loose architectural fragments on the site and among them are over 40 stones from an otherwise lost, richly-decorated Romanesque church. Some of the many loose stones are displayed and set in their historical context in the small visitor centre.References:
The Château de Chaumont was founded in the 10th century by Odo I, Count of Blois. The purpose was to protect his lands from attacks from his feudal rivals, Fulk Nerra, Count of Anjou. On his behalf the Norman Gelduin received it, improved it and held it as his own. His great-niece Denise de Fougère, having married Sulpice d'Amboise, passed the château into the Amboise family for five centuries.
Pierre d'Amboise unsuccessfully rebelled against King Louis XI and his property was confiscated, and the castle was dismantled on royal order in 1465. It was later rebuilt by Charles I d'Amboise from 1465–1475 and then finished by his son, Charles II d'Amboise de Chaumont from 1498–1510, with help from his uncle, Cardinal Georges d'Amboise; some Renaissance features were to be seen in buildings that retained their overall medieval appearance. The château was acquired by Catherine de Medici in 1550. There she entertained numerous astrologers, among them Nostradamus. When her husband, Henry II, died in 1559 she forced his mistress, Diane de Poitiers, to exchange Château de Chaumont for Château de Chenonceau which Henry had given to de Poitiers. Diane de Poitiers only lived at Chaumont for a short while.
Later Chaumont has changed hands several times. Paul de Beauvilliers bought the château in 1699, modernized some of its interiors and decorated it with sufficient grandeur to house the duc d'Anjou on his way to become king of Spain in 1700. Monsieur Bertin demolished the north wing to open the house towards the river view in the modern fashion.
In 1750, Jacques-Donatien Le Ray purchased the castle as a country home where he established a glassmaking and pottery factory. He was considered the French "Father of the American Revolution" because he loved America. However, in 1789, the new French Revolutionary Government seized Le Ray's assets, including his beloved Château de Chaumont.
The castle has been classified as a Monument historique since 1840 by the French Ministry of Culture. The Château de Chaumont is currently a museum and every year hosts a Garden Festival from April to October where contemporary garden designers display their work in an English-style garden.