Devenish Island contains one of the finest monastic sites in Northern Ireland. A round tower thought to date from the twelfth century is situated on the island, as are the walls of the Oratory of Saint Molaise who established the monastery in the 6th century, on a pilgrim route to Croagh Patrick in County Mayo. It became a centre of scholarship and although raided by Vikings in 837 and burned in 1157, it later flourished as the site of the parish church and St Mary's Augustinian Priory.
There are extensive low earthworks on the hillside, but the earliest buildings are St Molaise's House (a very small church) and the fine round tower close by, both with accomplished Romanesque decoration of the 12th century. The round tower is some 30 metres tall and can be climbed using internal ladders. It features a sculptured Romanesque cornice of heads and ornament under the conical stone roof. Nearby is a cross carved with spiral patterns and human heads. There are also several cross-slabs, one with an interlace design and a mediaeval carved cross. Near the round tower, the foundations of another tower were found, which the present tower probably superseded.
The smallest of the three churches (Mo-Laisse's House, named after the founder of the monastery) dates from the late 12th or early 13th century. It has narrow antae with bases carved with classical motifs. Only the lower parts of the walls and some of the roofstones survive.
Teampull Mór, the lower church, dates from the early 13th century with a beautifully moulded south window. It was extended to the east in about 1300, and later additions include a residential wing to the north and the Maguire Chapel to the south, with 17th-century heraldic slabs.
On the hilltop sits St Mary's Augustinian Priory which is of the mid-15th century and early 16th century, with church, tower and small north cloister. The priory has an intricately carved mid-15th-century high cross in its graveyard. The Devenish cross dates from the 15th century and is gothic in style. It is thought to have been carved by Matthew O’Dubegan, who also carved the sacristy doorway. The cross has decorative carvings and motifs, including a depiction of the crucifixtion on the upper part of the shaft.
There are several hundred loose architectural fragments on the site and among them are over 40 stones from an otherwise lost, richly-decorated Romanesque church. Some of the many loose stones are displayed and set in their historical context in the small visitor centre.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.