Besieged in 778 by Charlemagne, Château Fort de Lourdes became the residence of the Counts of Bigorre in the 11th and 12th centuries. In the 13th century, it passed into the possession of the Counts of Champagne, part of the kingdom of Navarre before coming under the crown of France under Philippe le Bel. It was ceded to the English by the Treaty of Brétigny in 1360, before returning to France at the start of the 15th century after two sieges. In the 17th century, the castle became a royal prison, and a state prison after the French Revolution, continuing in this role until the start of the 20th century when it became the Pyrenean Museum (1921) which it remains.
The castle's origins go back to Roman times. Various remains from this era (fragments of sculpture, votive offerings, wall foundations) were brought to light by military engineering work in the 19th century. However, a consequence of these works was the destruction of the greater part of the ancient walls. The finds are exhibited on the site.
Today, the oldest remains date from the 11th and 12th centuries and consist of the foundations of the present fortifications. The castle was reinforced in the 13th and 14th centuries (construction of the keep), and again in the 17th and 18th centuries.
The Notre-Dame-du-Château chapel houses the furniture of the former parish church of Saint-Pierre de Lourdes, destroyed in 1904. The present chapel is constructed with recycled material from Saint-Pierre de Lourdes.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.