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Bayonne has been inhabited since roman times, when it was known as Lapurdum. Its medieval fortifications were improved by Louis XII, and Francois I, enabling the town to defend itself against a Spanish army in 1523.
Vauban visited Bayonne sometime in the 1670's, and planned more improvements to the fortifications, including the construction of additional demi-lunes and a large, quadrangular citadel to the north of the river Adour. The city itself, which lies to the south of the Adour and is bisected by the river Nive, was surrounded by a wall of 9 rather eccentric bastions.
The citadel was designed from scratch by Vauban, and is a large square work with four bastions. It saw action against the invading British forces at the end of the Peninsular War, when it was taken by General Hill after a determined defence by the French.
The fortifications of Petit Bayonne, the eastern half of the town, had four bastions and one gate, the Porte de Notre Dame. To the west, Grand Bayonne had five bastions and two gates, the Porte d'Espagne and the Porte de la Poterne. The first gate is unusual in that it enters the walls through a bastion, not through the courtine as is normally the case.
The size and shape of each bastion is very different, and there are varying lengths between them, which makes the fortifications seem less regular than some. This is probably due to the way Bayonne was fortified in several stages, with improvements added gradually.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.