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Bayonne has been inhabited since roman times, when it was known as Lapurdum. Its medieval fortifications were improved by Louis XII, and Francois I, enabling the town to defend itself against a Spanish army in 1523.
Vauban visited Bayonne sometime in the 1670's, and planned more improvements to the fortifications, including the construction of additional demi-lunes and a large, quadrangular citadel to the north of the river Adour. The city itself, which lies to the south of the Adour and is bisected by the river Nive, was surrounded by a wall of 9 rather eccentric bastions.
The citadel was designed from scratch by Vauban, and is a large square work with four bastions. It saw action against the invading British forces at the end of the Peninsular War, when it was taken by General Hill after a determined defence by the French.
The fortifications of Petit Bayonne, the eastern half of the town, had four bastions and one gate, the Porte de Notre Dame. To the west, Grand Bayonne had five bastions and two gates, the Porte d'Espagne and the Porte de la Poterne. The first gate is unusual in that it enters the walls through a bastion, not through the courtine as is normally the case.
The size and shape of each bastion is very different, and there are varying lengths between them, which makes the fortifications seem less regular than some. This is probably due to the way Bayonne was fortified in several stages, with improvements added gradually.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.