Fortifications of Vauban
Fort Mont Louis
Located in the eastern Pyrenees at an altitude of 1600 metres, the stronghold of Mont-Louis was built from scratch by Vauban on granite terrain and is perfectly adapted to the geography of the site. Work started in 1679 and was completed in two years. The fortified ensemble was added as a complement to Villefranche-de-Conflent in securing the route from the Pyrenees. This ensemble consists of two square structures, in ti ...Saint-Martin-de-Ré Citadel
The l"île de Ré, opposite La Rochelle, was subjected on several occasions to attack from British soldiers. Conscious of the need to protect access to La Rochelle and Rochefort, in 1681 Vauban started strengthening the island"s defences by building a citadel and fortified castle at Saint-Martin-de-Ré, on the North coast. Built on the site of a fortress where construction work had started in 1 ...Besançon Fortress
Besançon"s Vauban citadel has been listed as a UNESCO World Heritage Site. Louis XIV of France conquered the city for the first time in 1668, but the Treaty of Aix-la-Chapelle returned it to Spain within a matter of months. While it was in French hands, the famed military engineer Vauban visited the city and drew up plans for its fortification. The Spaniards built the main centre point of the city"s defen ...Neuf-Brisach
Neuf-Brisach is a fortified town intended to guard the border between France and the Holy Roman Empire and, subsequently the German states. It was built after the peace of Ryswick, in 1697, that resulted in the loss to France of the town of Breisach, on the opposite bank of the Rhine. The town"s name means New Breisach. Work began on the fortified town in 1698, to plans drawn by Vauban, a military engineer at the se ...Fort Carré
Fort Carré is a 16th-century star-shaped fort of four arrow-head shaped bastions, that stands on the outskirts of Antibes. The Romans probably built the first fortifications at Antibes. In 1553, a tower called la tour Saint-Florent was built around a pre-existing chapel. Henry III had four bastions added in 1565, whereupon it became Fort Carré (the squared fort). In the 1680s, Vauban strengthened Fort Carré, addin ...Fort Médoc
Built on marshy land on the Left Bank of the Gironde, opposite Fort Pâté, Fort Médoc was a key part of Vauban"s three-point defence system. Its purpose was to block the passage of ships between Île Pâté and Cussac in the Médoc. Fort Médoc was built in 1689-1690 on low-lying terrain with alluvial soil. The artillery battery was pointed towards Blaye and most of the ...Arras Citadel
Built by Vauban between 1667 and 1672, the purpose of Citadel of Arras was to protect the city from the attacks (Spanish troops coming from the Netherlands). It has been nicknamed La belle inutile (the beautiful useless one) by residents as it has never been directly involved in heavy fighting and didn"t keep the Germans form occupying the city in either Word War. Since 7 July 2008 it is part of the UNESCO World Heri ...Blaye Citadel
The fortified citadel at Blaye, standing on the opposite bank of the river Gironde to Fort Médoc, forms, along with Fort Paté, the region's 17th-century defence against river attack. Built by Vauban, together this group are named the Fortifications of Vauban and are classified as a UNESCO World Heritage Site. The site of the citadel saw its first castle in the 7th century. Vauban's fortress though was built ...Briançon Fortress
The historical centre of Briançon is a strongly fortified town, built by Vauban to defend the region from Austrians in the 17th century. Its streets are very steep and narrow, though picturesque. Briançon lies at the foot of the descent from the Col de Montgenèvre, giving access to Turin, so a great number of other fortifications have been constructed on the surrounding heights, especially towards the ...Fort Paté
Fort Paté is a small oval battery on an island in the middle of the river Gironde, just big enough to hold the soldiers who defend it. It was built between 1685 and 1693 as part of the verrou de Blaye, a system of three forts built to seal the river against enemy ships. The fort was situated so as to support the river batteries at Blaye on the right bank and Fort Médoc on the left bank. The island used to b ...Longwy Fortress
The original Longwy village developed on a widened plateau and was eventually linked to the Chiers valley, divided into two towns: Longwy-Haut (the Old Longwy) and Longwy-Bas (in the valley of the river). In the 15th century, the castle of Longwy was one of the most important in the region. It was partially destroyed in 1646 during the Thirty Years War, during which Longwy became French. The town and the castle all disapp ...Tour Vauban
The Tour Vauban (Vauban Tower), initially known as the tour de Camaret, is an 18m-high polygonal defensive tower built to a plan by Vauban on the Sillon at Camaret-sur-Mer, as part of the fortifications of the goulet de Brest. It has three levels and is flanked by walls, a guardhouse and a gun battery which can hold 11 cannons as well as a cannonball foundry added in the French Revolution period. Drafted in 1683, the tow ...Fort Libéria
Built by Vauban in 1681 and fortified by Napoleon III, the Libéria fortress dominates the city with its ramparts, counterscarp galleries, bastions, chapel, archaeology and caving museum and a 734 steps underground staircase.Fort de Bellegarde
Le Perthus became French territory after the Treaty of the Pyrenees (1659). The Spanish captured Bellegarde in 1674 and began work on new fortifications in 1675. These were not very far advanced when the place was recaptured by the French. In 1678 Vauban designed for Bellegarde a strong pentagonal fort with a detached hornwork extending southwards towards the frontier. The defences consist of a five bastioned trace, with ...Villefranche-de-Conflent Fortress
Built by Vauban in 1681 and fortified by Napoleon III, the fortress dominates the city of Villefranche-de-Conflent with its ramparts, counterscarp galleries, bastions, chapel, archaeology and caving museum and a 734 steps underground staircase. The ramparts - major site built by Vauban- are registered on the list of the Unesco World Heritage.Mont-Dauphin Fortress
Mont-Dauphin is one of the many places fortified by Vauban in the second half of the 17th century. Following invasions of Provence by Savoy in 1691 and 1692, Louis XIV dispached Vauban to put the frontier in a better state of defence. In 1692 he came to the Plateau de Mille-Aures, which overlooks both of the invasion routes used by the Savoyards, to fortify it. The ground in question was on a high hill, roughly four-side ...Vauban Tower
In 1692 the naval Battle of La Hougue took place between the English and the French close to the island of Tatihou. The so-called Vauban Tower (Tour Vauban de Tatihou) was built in 1694. In 1756 the surroundings of La Hougue were defended by many batteries and forts, but the lack of regular maintenance ensured that these quickly fell into disrepair. In 1720 Tatihou was used for quarantining plague victims from Marseilles. ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Monastery of São Vicente de Fora
Monastery of São Vicente de Fora (Monastery of St. Vincent Outside the Walls) is a 17th-century church and monastery in the city of Lisbon. It is one of the most important monasteries and mannerist buildings in the country. The monastery also contains the royal pantheon of the Braganza monarchs of Portugal.
The original Monastery of São Vicente de Fora was founded around 1147 by the first Portuguese King, Afonso Henriques, for the Augustinian Order. The Monastery, built in Romanesque style outside the city walls, was one of the most important monastic foundations in mediaeval Portugal. It is dedicated to Saint Vincent of Saragossa, patron saint of Lisbon, whose relics were brought from the Algarve to Lisbon in the 12th century.
The present buildings are the result of a reconstruction ordered by King Philip II of Spain, who had become King of Portugal (as Philip I) after a succession crisis in 1580. The church of the monastery was built between 1582 and 1629, while other monastery buildings were finished only in the 18th century. The author of the design of the church is thought to be the Italian Jesuit Filippo Terzi and/or the Spaniard Juan de Herrera. The plans were followed and modified by Leonardo Turriano, Baltazar Álvares, Pedro Nunes Tinoco and João Nunes Tinoco.
The church of the Monastery has a majestic, austere façade that follows the later Renaissance style known as Mannerism. The façade, attributed to Baltazar Álvares, has several niches with statues of saints and is flanked by two towers (a model that would become widespread in Portugal). The lower part of the façade has three arches that lead to the galilee (entrance hall). The floorplan of the church reveals a Latin cross building with a one-aisled nave with lateral chapels. The church is covered by barrel vaulting and has a huge dome over the crossing. The general design of the church interior follows that of the prototypic church of Il Gesù, in Rome.
The beautiful main altarpiece is a Baroque work of the 18th century by one of the best Portuguese sculptors, Joaquim Machado de Castro. The altarpiece has the shape of a baldachin and is decorated with a large number of statues. The church also boasts several fine altarpieces in the lateral chapels.
The Monastery buildings are reached through a magnificent baroque portal, located beside the church façade. Inside, the entrance is decorated with blue-white 18th century tiles that tell the history of the Monastery, including scenes of the Siege of Lisbon in 1147. The ceiling of the room has an illusionistic painting executed in 1710 by the Italian Vincenzo Baccarelli. The sacristy of the Monastery is exuberantly decorated with polychromed marble and painting. The cloisters are also notable for the 18th century tiles that recount fables of La Fontaine, among other themes.
In 1834, after the religious orders were dissolved in Portugal, the monastery was transformed into a palace for the archbishops of Lisbon. Some decades later, King Ferdinand II transformed the monks' old refectory into a pantheon for the kings of the House of Braganza. Their tombs were transferred from the main chapel to this room.