This imposing brick castle Château de Morlanne, forming a polygonal enceinte, is a powerful 14th century structure with gateways, a courtyard, moats and a high keep. Inside is a manor house dating from the end of the 16th century.
The castle, standing on a motte at the southern end of the village, was built about 1370 by the architect Sicard de Lordat for Arnaud-Guilhem, the brother of Gaston Fébus (Gaston III of Foix-Béarn), in order to supervise English Gascony. There had been an earlier building on the same site of which there is no description. In the second half of the 15th century, Odet d' Aydie (1425–1498), right-hand man of Charles VII and later of Louis XI, become lord of Morlanne and transformed the austere castle with more chimneys and windows. Further alterations between the 16th century and the 19th century transformed the building over time into pleasurable residence.
In 1866, the castle became the property of Albert de Domec, a member of one of the oldest families in Morlanne which had owned the lay abbey for centuries. Various families owned the castle until World War II, when the castle became uninhabited and succumbed to ruin.
In 1969, the historian Raymond Ritter (1894–1974) acquired the castle and decided to restore the building as a medieval fortress. Works included restoring the defences of the surrounding wall towards the west starting from the keep, filling in windows added in the 18th and 19th centuries in the part of the enclosing wall next to the keep, rebuilding of the upper half of the keep and some of the buildings that had disappeared from the south-west of the courtyard.
In 1975, M. and Mme. Ritter left the castle as well as its collection of works of art and furniture to the département of Pyrénées-Atlantiques.
The most harmonious furniture collections are on the first floor. A bedroom from the time of the Consulate and Empire has two mahogany beds. The Louis XVI room is hung with silks decorated with gold buttons. The library evokes the period of the Constitutional Monarchy (1791). On the second floor are the Louis XVI bedroom and a gallery of modern paintings.
Among the paintings on display is a view of Venice by Canaletto, a painting of the face of an old man by Fragonard, The Reader by Colson, The Happy Family by Lépicié and Visit to the Wet Nurse by Boilly. Other artists represented include Pannini, Snyders and Roslin. An entire room is devoted to the works of the expressionist René Morère (1907–1942), a friend of the Ritters.References:
The eight towns in south-eastern Sicily, including Ragusa, were all rebuilt after 1693 on or beside towns existing at the time of the earthquake which took place in that year. They represent a considerable collective undertaking, successfully carried out at a high level of architectural and artistic achievement. Keeping within the late Baroque style of the day, they also depict distinctive innovations in town planning and urban building. Together with seven other cities in the Val di Noto, it is part of a UNESCO World Heritage Site.
In 1693 Ragusa was devastated by a huge earthquake, which killed some 5,000 inhabitants. Following this catastrophe the city was largely rebuilt, and many Baroque buildings from this time remain in the city. Most of the population moved to a new settlement in the former district of Patro, calling this new municipality 'Ragusa Superiore' (Upper Ragusa) and the ancient city 'Ragusa Inferiore' (Lower Ragusa). The two cities remained separated until 1926, when they were fused together to become a provincial capital in 1927.