Lombez Cathedral is a brick church with an ornate pink-and-white five-tiered octagonal bell tower constructed c. 1346. A plaque to the right of the plain west entrance records the visit of the Italian poet Petrarch in 1330, arranged by the bishop, Jacques Colonna (1328–41), also of Italian extraction, who made Petrarch an honorary canon in 1335. The typical blank west façade of meridional Gothic is relieved only by a small roundel and the Flamboyantentrance in stone. The severe exterior is characteristic of the region with tall buttresses around the chevet.
Below the tower in the interior is a remarkable 12th-century baptistry, which was part of an earlier church. The lead baptismal font is made of two pieces, the lower part decorated with religious figures in medallions in the style of the 13th century, and the upper part with a frieze of secular scenes of antique design. The stopper in the base suggests it was used for total immersion which was practised until the 9th century.
Other items of note are the 17th-century walnut choir stalls, the altar in Carrara marble consecrated in 1753, and the 18th-century organ at the west end. The three panels of brilliantly colored 15th–16th-century glass in the chevet are by the followers of Arnaud de Moles, restored in the 19th century, and illustrate scenes from the Life of Christ and from the Passion. The rest of the glass is 19th-century.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.