Saint-Bertrand-de-Comminges Cathedral was originally built in the 12th century in Romanesque style. Over the northern and southern walls there are still Romanesque arches, the floor is made of marble and includes some tombs and sepulchurs. The cloister is also clearly Romanesque and offers an impressive view over the entire valley.
The Gothic part is built in the Meridional Gothic style. There is a single nave that is 55m long, 16m wide and 28m high. Over the arrow arches there are the coats of arms of the founding bishops. The stained glass windows are impressive with their intricate details, almost comparable to those of Auch.
The stalls within the choir were commissioned by Jean de Mauléon but because of the lack of documents it is impossible to name the artist that made them, although, by comparison with other stalls, these are often considered to be the work of Nicolas Bachelier, or rather, of his school which had been using artists from France, Spain and Italy. Most of the work was done in oak and walnut tree, and the choir seems to be separate from the rest of the church in that it contrasts so much with the Gothic and Romanesque parts.
The sixty-seven stalls represent characters from both the Old and the New Testaments.
Bizarrely, there is a stuffed crocodile inside the cathedral. This fact, as well as a general description of the cathedral itself and details of its history, features prominently in Canon Alberic's Scrap-Book, a ghost story by M. R. James.
The former cathedral has been listed as a UNESCO World Heritage Site as part of the World Heritage Sites of the Routes of Santiago de Compostela in France.
References:Linderhof is the smallest of the three palaces built by King Ludwig II of Bavaria and the only one which he lived to see completed.
Ludwig II, who was crowned king in 1864, began his building activities in 1867-1868 by redesigning his rooms in the Munich Residenz and laying the foundation stone of Neuschwanstein Castle. In 1868 he was already making his first plans for Linderhof. However, neither the palace modelled on Versailles that was to be sited on the floor of the valley nor the large Byzantine palace envisaged by Ludwig II were ever built.
Instead, the new building developed around the forester's house belonging to his father Maximilian II, which was located in the open space in front of the present palace and was used by the king when crown prince on hunting expeditions with his father.