Séviac Gallo-Roman Villa

Séviac, France

Set on a hilltop surrounded by vineyards and cypresses, the Gallo-Roman villa of Séviac was a luxurious residence, spread over almost 6500m2. It is today one of the largest Gallo-Roman villas known in the south-west of France. The villa was built in the 2nd century AD and reconstructed in the 3rd and 4th centuries. Later in the 8th and 9th centuries the place was used for a church, burials and necropolis. The villa is distinguished by its exceptional set of Roman age mosaics (over 625m2) and vast baths.

Comments

Your name



Address

Séviac, France
See all sites in Séviac

Details

Founded: 2nd century AD
Category: Prehistoric and archaeological sites in France
Historical period: Roman Gaul (France)

Rating

4.2/5 (based on Google user reviews)

User Reviews

Barthelemy “Bartholome” (2 years ago)
Nice touristic place to visit
Malcolm Stringer (2 years ago)
Superb visit, you are given a book guide ( mine in English!).
Julie Kulesza (2 years ago)
A fascinating visit, very tranquil, well restored and simpathetic to the environment
Jeff Richards (2 years ago)
History before your very eyes... very helpful staff, and I love the protective covers! The guiding magazine needs clarity to show you more clearly where exactly you are on the site, would be a bit difficult to show children which was which.
Simon Cooper (2 years ago)
Well laid out and signposted Roman villa with good guide in English. Can buy tickets at a discount for two other related attractions. Worth a visit if you like a bit of history, site is mostly under cover so you do not get crisped by the sun.
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Palazzo Colonna

The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.

The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).

With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).

Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.

The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.

The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.

Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.