The origins of Puente del Congosto Castle dates from the 12th and 13th centuries. It was built for defensive reasons, to control the route which connected Ciudad Rodrigo with Avila.
In 1393, Enrique III granted the manor of the Puente del Congosto to Gil Gonzalez Davila, which rebuilt the castle, which would be Posada Real. The Duke of Alba bought the castle to the Emperor Carlos in 1539, adding to the rectangular tower the large cube gives to the building most uniqueness.
The castle is in a good state of conservation. It is made up of an outer enclosure and an inner fortification formed by a great rectangular keep with a second tower build against it.
The outer enclosure is an irregular rubblework hexagon, reinforced in the corners by granite ashlars. Because it is more vulnerable than the others, the western curtain wall of the outer enclosure is extra protected with a small tower in its center. The gate is situated in the northern wall and is protected by another wall. There is also a postern in the eastern wall on a higher floor level.The keep is made up of two great halls with brick vaults sustained by arcs of ashlar masonry. In the lower hall, on a height of about 3 meters in the western wall, is the entrance to the spiral staircase that leads to the upper hall. In the eastern wall is a little window. The top of the keep was originally crenelated.The ground floor level of the second tower is only the one that can be accessed from the courtyard. All the higher floor level in this tower can only be accessed through wall staircase from the keep.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.