The origins of Puente del Congosto Castle dates from the 12th and 13th centuries. It was built for defensive reasons, to control the route which connected Ciudad Rodrigo with Avila.
In 1393, Enrique III granted the manor of the Puente del Congosto to Gil Gonzalez Davila, which rebuilt the castle, which would be Posada Real. The Duke of Alba bought the castle to the Emperor Carlos in 1539, adding to the rectangular tower the large cube gives to the building most uniqueness.
The castle is in a good state of conservation. It is made up of an outer enclosure and an inner fortification formed by a great rectangular keep with a second tower build against it.
The outer enclosure is an irregular rubblework hexagon, reinforced in the corners by granite ashlars. Because it is more vulnerable than the others, the western curtain wall of the outer enclosure is extra protected with a small tower in its center. The gate is situated in the northern wall and is protected by another wall. There is also a postern in the eastern wall on a higher floor level.The keep is made up of two great halls with brick vaults sustained by arcs of ashlar masonry. In the lower hall, on a height of about 3 meters in the western wall, is the entrance to the spiral staircase that leads to the upper hall. In the eastern wall is a little window. The top of the keep was originally crenelated.The ground floor level of the second tower is only the one that can be accessed from the courtyard. All the higher floor level in this tower can only be accessed through wall staircase from the keep.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.