Ananuri was a castle and seat of the eristavis (Dukes) of Aragvi, a feudal dynasty which ruled the area from the 13th century. The castle was the scene of numerous battles. The current ensemble dates from the 16th and 17th centuries.
In 1739, Ananuri was attacked by forces from a rival duchy, commanded by Shanshe of Ksani and was set on fire. The Aragvi clan was massacred. However, four years later, the local peasants revolted against rule by the Shamshe, killing the usurpers and inviting King Teimuraz II to rule directly over them. However, in 1746, King Teimuraz was forced to suppress another peasant uprising, with the help of King Erekle II of Kakheti. The fortress remained in use until the beginning of the 19th century. In 2007, the complex has been on the tentative list for inclusion into the UNESCO World Heritage Site program.
The fortifications consist of two castles joined by a crenellated curtain wall. The upper fortification with a large square tower, known as Sheupovari, is well preserved and is the location of the last defense of the Aragvi against the Shamshe. The lower fortification, with a round tower, is mostly in ruins.
Within the complex, amongst other buildings, are two churches. The older Church of the Virgin, which abuts a tall square tower, has the graves of some of the Dukes of Aragvi. It dates from the first half of the 17th century, and was built of brick. The interior is no longer decorated, but of interest is a stone baldaquin erected by the widow of the Duke Edishera, who died in 1674.
The larger Church of the Mother of God (Ghvtismshobeli), built in 1689 for the son of Duke Bardzem. It is a central dome style structure with richly decorated façades, including a carved north entrance and a carved grapevine crosson the south façade. It also contains the remains of a number of frescoes, most of which were destroyed by the fire in the 18th century.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.