According to a historic tradition, the first monastic community at this place was founded by the 6th-century monk Shio, one of the Thirteen Assyrian Fathers who came to Georgia as Christian missionaries. St. Shio is said to have spent his last years as a hermit in a deep cave near Mtskheta subsequently named Shiomghvime ('the Cave of Shio') after him.
The earliest building – the Monastery of St. John the Baptist – a cruciform church, very plain and strict in its design, indeed dates to that time, c. 560s-580s, and the caves curved by monks are still visible around the monastery and along the road leading to the complex. The church has an octagonal dome covered with a conic floor and once housed a masterfully ornate stone iconostasis which is now on display at the Art Museum of Georgia in Tbilisi. The monastery was somewhat altered in the 11th and 18th centuries, but has largely retained its original architecture.
The Upper Church (zemo eklesia) named after the Theotokos is a central part of the Shio-Mgvime complex constructed at the verge of the 12th century at the behest of King David IV of Georgia. Initially a domed church, it was subsequently destroyed by a foreign invasion and restored, in 1678, as a basilica. A refectory was built between the 12th and 17th centuries and directly communicates with the Cave of St. Shio. A 12th-century small chapel adorned with medieval murals stands separately on a nearby hill.
An archaeological expedition revealed, in 1937, a 2 km long aqueduct supplying the monastic communities from the nearby village of Skhaltba, and chronicled in 1202 as being constructed by Bishop Anton of Chkondidi, a minister at Queen Thamar’s court.
Shio-Mgvime quickly turned into the largest monastic community in Georgia and by the end of the 6th century it was populated by as many as 2,000 monks. It became a vibrant center of cultural and religious activities and remained under the personal patronage of Catholicoi of Georgia. David IV 'the Builder' (1089-1125) made it a royal domain and dictated regulations (typicon) for the monastery (1123). The downfall of the medieval Georgian kingdom and incessant foreign invasions resulted in the decline of the monastery. It saw a relative revival when the Georgian king George VIII (r. 1446-1465) granted Shio-Mgvime and its lands to the noble family of Zevdginidze-Amilakhvari to whom the monastery served as a familial burial ground up to the 1810s.
The monastery was ravaged by the invading Persian troops sent by Shah Abbas I of Safavid in 1614-6. Prince Givi Amilakhvari reconstructed it in 1678, but the 1720s Ottoman occupation of Georgia brought about another devastation and depopulation of Shio-Mgvime. Restored by Prince Givi Amilakhvari in 1733, the monastery was raided and the monks massacred by the Persians less than two years later. Subsequently, Shio-Mgvime was restored and its interior renovated in the 19th century, but it never regained its past importance and role in the spiritual life of Georgia.
Under Soviet Union, the monastery was closed, but it is now functional and attracts many pilgrims and tourists.
The Old Town Hall of Wrocław is one of the main landmarks of the city. The Old Town Hall's long history reflects developments that have taken place in the city since its initial construction. The town hall serves the city of Wroclaw and is used for civic and cultural events such as concerts held in its Great Hall. In addition, it houses a museum and a basement restaurant.
The town hall was developed over a period of about 250 years, from the end of 13th century to the middle of 16th century. The structure and floor plan changed over this extended period in response to the changing needs of the city. The exact date of the initial construction is not known. However, between 1299 and 1301 a single-storey structure with cellars and a tower called the consistory was built. The oldest parts of the current building, the Burghers’ Hall and the lower floors of the tower, may date to this time. In these early days the primary purpose of the building was trade rather than civic administration activities.
Between 1328 and 1333 an upper storey was added to include the Council room and the Aldermen’s room. Expansion continued during the 14th century with the addition of extra rooms, most notably the Court room. The building became a key location for the city’s commercial and administrative functions.
The 15th and 16th centuries were times of prosperity for Wroclaw as was reflected in the rapid development of the building during that period. The construction program gathered momentum, particularly from 1470 to 1510, when several rooms were added. The Burghers’ Hall was re-vaulted to take on its current shape, and the upper story began to take shape with the development of the Great Hall and the addition of the Treasury and Little Treasury.
Further innovations during the 16th century included the addition of the city’s Coat of arms (1536), and the rebuilding of the upper part of the tower (1558–59). This was the final stage of the main building program. By 1560, the major features of today’s Stray Rates were established.
The second half of the 17th century was a period of decline for the city, and this decline was reflected in the Stray Rates. Perhaps by way of compensation, efforts were made to enrich the interior decorations of the hall. In 1741, Wroclaw became a part of Prussia, and the power of the City diminished. Much of the Stray Rates was allocated to administering justice.
During the 19th century there were two major changes. The courts moved to a separate building, and the Rates became the site of the city council and supporting functions. There was also a major program of renovation because the building had been neglected and was covered with creeping vines. The town hall now has several en-Gothic features including some sculptural decoration from this period.
In the early years of the 20th century improvements continued with various repair work and the addition of the Little Bear statue in 1902. During the 1930s, the official role of the Rates was reduced and it was converted into a museum. By the end of World War II Town Hall suffered minor damage, such as aerial bomb pierced the roof (but not exploded) and some sculptural elements were lost. Restoration work began in the 1950s following a period of research, and this conservation effort continued throughout the 20th century. It included refurbishment of the clock on the east facade.