The Kintsvisi Monastery complex consists of three churches, of uncertain origin. The central (main) central church dedicated to St Nicholas is thought to date to the early 13th century, in what is generally regarded as the Georgian Golden Age. A very small chapel standing next to it is dedicated to St George, and dates from around the same time. The oldest church, dedicated to St Mary dates from the 10-11th centuries, but is mostly in ruins.
The main church is a large inscribed-cross domed brick building which houses unique examples of medieval mural art from the early 13th century.
In the central position of the cupola is the Hodegetria flanked by the archangels Michael and Gabriel. At the central part of cupola arch is an expressed cross as a medallion. Medallions with the Four Evangelists adorn the pendentives. Images of archangels are repeated on south and west walls of the church. Scenes from the New Testament are presented on north walls, as are portraits of Georgian kings, Giorgi III, Tamar and Giorgi IV Lasha. Particularly remarkable is the figure of a sitting angel (the so-called “Kintsvisi Archangel”) from the Resurrection composition pointing at the open sarcophagus in a gracious manner, represented above the kings' figures, between two windows. These murals date to before 1205 and rank, due to the lavish use of lapis-lazuli to color their backgrounds, among the most beautiful paintings of that period.
These murals were ordered by Anton Gnolistavisdze, a local feudal magnate who served as a royal minister. His fresco with a model of a church in his hand is represented on the lower register of the south wall, along with a severely damaged cycle of images from the life of St Nicholas, and depictions of various Georgian saints.
The murals of the narthex are of a later date, and were painted by the order of a prominent person of the 15th century, Zaza Panaskerteli, whose portrait is represented here as well.
The church of the Virgin Mary also contains an enthroned Hodegetria with a Communion of the Apostles in its ruined apse. The walls of this church were presumably entirely painted in the same manner as the main church, but everything but the apse has collapsed into ruins down the side of the mountain.
References:Vufflens castle was built in 1425 on the site of a previous medieval castle by Henri de Colombier. It is the most significant example of a small group of fortified Romandy castles from the middle ages, characterised above all by its brick construction. In 1530, it was set on fire by Bernese troops. In 1641 it was acquired by the de Senarclens family. The castle is currently privately owned and cannot be visited.
A pleasant 30 minute-walk through the vineyards between Vufflens-le-Château and Denens, offers a stunning view of this magnificent castle, the lake and the Mont-Blanc.