Uplistsikhe is an ancient rock-hewn town in eastern Georgia, some 10 kilometers east of the town of Gori. Built on a high rocky left bank of the Mtkvari River, it contains various structures dating from the Early Iron Age to the Late Middle Ages, and is notable for the unique combination of various styles of rock-cut cultures from Anatoliaand Iran, as well as the co-existence of pagan and Christian architecture.
Uplistsikhe is identified by archaeologists as one of the oldest urban settlements in Georgia. Strategically located in the heartland of ancient kingdom of Kartli, it emerged as a major political and religious center of the country. The town’s age and importance led medieval Georgian written tradition to ascribe its foundation to the mythical Uplos, son of Mtskhetos, and grandson of Kartlos.
With the Christianization of Kartli early in the 4th century, Uplistsikhe seems to have declined in its importance and lost its position to the new centers of Christian culture – Mtskheta and, later Tbilisi. However, Uplistsikhe reemerged as a principal Georgian stronghold during the Muslim conquest of Tbilisi in the 8th and 9th century. The Mongol raids in the 14th century marked the ultimate eclipse of the town; it was virtually abandoned, and only occasionally used as a temporary shelter in times of foreign intrusions.
The Uplistsikhe complex can tentatively be divided into three parts: south (lower), middle (central) and north (upper) covering an area of approximately 8 hectares. The middle part is the largest, contains a bulk of the Uplistsikhe rock-cut structures, and is connected to the southern part via a narrow rock-cut pass and a tunnel. Narrow alleys and sometimes staircases radiate from the central 'street' to the different structures.
The majority of the caves are devoid of any decorations, although some of the larger structures have coffered tunnel-vaulted ceilings, with the stone carved in imitation of logs. Some of the larger structures also have niches in the back or sides, which may have been used for ceremonial purposes.
At the summit of the complex is a Christian basilica built of stone and brick in the 9th-10th centuries. Archaeological excavations have discovered numerous artifacts of different periods, including gold, silver and bronze jewellery, and samples of ceramics and sculptures. Many of these artifacts are in the safekeeping of the National Museum in Tbilisi.
Several parts of the most vulnerable areas were completely destroyed by an earthquake in 1920. The stability of the monument remains under substantial threat, prompting the Fund of Cultural Heritage of Georgia to launch a limited program of conservation in 2000. The Uplistsikhe cave complex has been on the tentative list for inclusion into the UNESCO World Heritage program since 2007.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.