Gori Castle is a medieval citadel in Georgia, standing above the city of Gori on a rocky hill. The castle first appears in the 13th century records but archaeological evidence shows that the area had already been fortified in the last centuries BC. The fortress controlled major strategic and economic routes and accommodated a large garrison. In the 16th century the Ottomans captured it to overawe Tbilisi. In 1598 the Georgians besieged it to no avail; in 1599 they feigned a relaxation of the siege for Lent before launching a surprise attack at night to regain the citadel. The fortress continued to change hands between the Georgians and the Persians in the 17th century.
The citadel acquired the present-day form under the Georgian kings Rostom of Kartli in the 1630s and Erekle II in 1774. After the Russian annexation of Georgia in 1801, the fortress was garrisoned by a Russian grenadier battalion, but its importance gradually declined and the fortifications went defunct.
Gori Fortress was significantly damaged by the earthquake in 1920. The best preserved structure is Tskhra-kara ('the Nine-gated'), which looks to the west, and is adjoined by the supplementary walls on the south and east.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.