The Ateni Sioni Church is an early 7th-century Georgian Orthodox church in the village of Ateni, some 10 km south of the city of Gori, Georgia. It stands in a setting of the Tana River valley known not only for its historical monuments but also for its picturesque landscapes and wine. The name 'Sioni' derives from Mount Zion at Jerusalem.
Sioni is an early example of a 'four-apse church with four niches' domed tetraconch (between the four apses are three-quarter cylindrical niches which are open to the central space). The church's cruciform interior measures 24m x 19.22m, and its façades are faced with carved rectangular greenish-gray stones, richly decorated with ornaments and figurative reliefs. The church is not dated but is very similar in design to the Jvari Monastery at Mtskheta, which is generally held to have preceded it, and, hence, has been described by some art historians as belonging to the 'Jvari-type' group of churches. Todosak, mentioned in an undated Armenian inscription on the southern facade as 'I, Todosak, the builder of this holy church' is considered to have been an Armenian architect of the original church or its late 10th-century renovator.
The walls of the church contain the earliest known inscriptions in Nuskhuri or Nuskha-Khutsuri, one of the versions of the early Georgian alphabet, dating from 835. The earliest known examples of Mkhedruli, a currently used Georgian script, are also found in the Ateni Sioni church and date to the 980s. One of the inscriptions on the church commemorates Adarnase I of Tao-Klarjeti, the first documented Georgian Bagratid nobleman who was the father of Ashot I, the founder of the new royal line of Georgia.
Near the church there are the ruins of the medieval fortified town of Ateni (modern-day villages of Didi Ateni and Patara Ateni).
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.