The Ateni Sioni Church is an early 7th-century Georgian Orthodox church in the village of Ateni, some 10 km south of the city of Gori, Georgia. It stands in a setting of the Tana River valley known not only for its historical monuments but also for its picturesque landscapes and wine. The name 'Sioni' derives from Mount Zion at Jerusalem.
Sioni is an early example of a 'four-apse church with four niches' domed tetraconch (between the four apses are three-quarter cylindrical niches which are open to the central space). The church's cruciform interior measures 24m x 19.22m, and its façades are faced with carved rectangular greenish-gray stones, richly decorated with ornaments and figurative reliefs. The church is not dated but is very similar in design to the Jvari Monastery at Mtskheta, which is generally held to have preceded it, and, hence, has been described by some art historians as belonging to the 'Jvari-type' group of churches. Todosak, mentioned in an undated Armenian inscription on the southern facade as 'I, Todosak, the builder of this holy church' is considered to have been an Armenian architect of the original church or its late 10th-century renovator.
The walls of the church contain the earliest known inscriptions in Nuskhuri or Nuskha-Khutsuri, one of the versions of the early Georgian alphabet, dating from 835. The earliest known examples of Mkhedruli, a currently used Georgian script, are also found in the Ateni Sioni church and date to the 980s. One of the inscriptions on the church commemorates Adarnase I of Tao-Klarjeti, the first documented Georgian Bagratid nobleman who was the father of Ashot I, the founder of the new royal line of Georgia.
Near the church there are the ruins of the medieval fortified town of Ateni (modern-day villages of Didi Ateni and Patara Ateni).References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.