The castle of Magaña is considered to be one of the most important castles from the 15th century in the province of Soria. This castle is in better condition than what we are used to seeing in the area and the best way to contemplate its majestic silhouette is from the road on the way towards Fuentes de Magaña or from the highest parts of the town. You will be able to see all the plants that have reclaimed its walls contrasting with the ochre tones of the landscape where the tall keep sticks out from its hiding place in the middle of the castle’s courtyard.
It is located on a steep hill near the town and it dominates the valley of the Alhama River over which a medieval bridge crosses. On the hillside, there is a chapel with a rectangular apse which some authors believe to be pre-Romanesque.
The castle is built of stone and is organised into two walled enclosures around the 9th or 11th-century Berber keep, much older than the rest of the ensemble and belonging to a group of Berber towers that were erected all throughout the valley of the Rituerto River, such as the Masegoso, Trévago, Noviercas, Castellanos, La Pica or Aldealpozo towers. This tower still maintains the original battlement hexes and some windows framed with ashlar stonework.
The inner enclosure has very tall walls and has a quadrangular floor plan with the keep at one of its corners and cube-shaped structures on the other two. The outer one is much lower and its floor plan is quite irregular with seven cube-shaped structures scattered throughout the hill’s perimeter.
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The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.