The Wiener Musikverein is a concert hall in the Innere Stadt borough of Vienna. It is the home of the Vienna Philharmonic orchestra. The 'Great Hall' (Großer Saal), due to its highly regarded acoustics, is considered one of the finest concert halls in the world, along with Berlin's Konzerthaus, the Concertgebouw in Amsterdam, and Boston's Symphony Hall. With the exception of Boston Symphony Hall, none of these halls were built in the modern era with the application of architectural acoustics, and all share a long, tall, and narrow shoebox shape.

The plans were designed by Danish architect Theophil Hansen in the Neoclassical style of an ancient Greek temple, including a concert hall and a smaller chamber music hall. The building was inaugurated on 6 January 1870. A major donor was Nikolaus Dumba, industrialist and liberal politician of Greek descent, whose name the Austrian government gave to one of the streets surrounding the Musikverein.

The Great Hall's lively acoustics are primarily based on Hansen's intuition, as he could not rely on any studies on architectural acoustics. The room's rectangular shape and proportions, its boxes and sculptures allow early and numerous sound reflections.

Today Musikverein is the most used venue for the annual Vienna New Year's Concert.

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Founded: 1870
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4.6/5 (based on Google user reviews)

User Reviews

Kate McNeil (6 months ago)
Saw a classical music concert here which was excellent. The performers were in traditional dress and the music was stunning. However, venue staff weren't very welcoming, and contrary to the website, there is a dress code: no shorts, and (paid) coat check is mandatory. The average guest was a little dressed up: think collared shirt and no jeans. There also didn't appear to be any program brochures to help the audience follow along with the set list. No pictures are allowed inside the venue.
Tony Ramsden (7 months ago)
This is a typical Viennese music show, put on entirely for the tourists, like many others in Vienna. Having said that, it was very well done. The music was well played and sung, the musicians wore period costumes (aka Mozart), and the concert hall itself is quite impressive. The seats are comfortable and the acoustics are good as well.
Kimia G (7 months ago)
Went here for the Mozart orchestra which was fabulous. The costume style was victorian with powdered wigs and the conductor was interactive with the audience. There were quite a few empty seats and you didn't necessarily have to dress formally. The cloakrooms were 85 cents per piece and there was a buffet in LG floor for an additional charge. Fabulous venue at a convenient location with great prices for students (50% off!)
maria iacob (7 months ago)
The guided tour is very short-approx 15 minutes-NO PHOTO policy ( instead there should be no flash policy). Good guide, but if you are there for photos better buy a concert ticket. So if you are a music lover go to a concert, if you want to be for a view of the Room of New Year Concert Hall pay guided tour
Francesco Miceli (8 months ago)
Great theater with classical atmosphere. We listened to a Mozart and Strauss concert and weekend really enjoyed it! I can suggest balcony as a good view with lower price
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Wawel Castle

Wawel Hill – a Jurassic limestone rock, a dominant feature in the landscape of Kraków, have provided a safe haven for people who have settled here since the Paleolithic Age. It is supposed that the Slav people started living on Wawel hill as early as the 7th century. Early medieval legends tell stories about a dreadful dragon that lived in a cave on Wawel Hill, about his slayer Krakus, and about the latter’s daughter Wanda, who drowned herself in the Vistula rather than marry a German knight. Towards the end of the first millennium A.D Wawel began to play the role of the centre of political power.In the 9th century it became the principal fortified castrum of the Vislane tribe. The first historical ruler of Poland, Miesco I (c.965-992) of the Piast dynasty as well as his successors: Boleslas the Brave (992-1025) and Miesco II (1025-1034) chose Wawel Hill as one of their residences.

At that time Wawel became one of the main Polish centres of Christianity. The first early Romanesque and Romanesque sacral buildings were raised here, including a stone cathedral that was erected after the bishopric of Kraków was established in the year 1000.

During the reign of Casimir the Restorer (1034-1058) Wawel became a significant political and administrative centre for the Polish State. Casimir’s son, Boleslas the Bold (1058-1079) began the construction of a second Romanesque cathedral, which was finished by Boleslas the Wrymouth (1102-1138). In his last will of 1138, this prince divided Poland into districts, and provided that Kraków was to be the residence of the senior prince. In 1291 the city of Kraków along with Wawel Hill temporarily fell under the Czech rule, and Wenceslas II from the Premysl dynasty was crowned King of Poland in Wawel cathedral.

In 1306 the Duke of Kuyavia Ladislas the Short (1306-1333) entered Wawel and was crowned King of Poland in the Cathedral in 1320. It was the first historically recorded coronation of a Polish ruler on Wawel Hill. Around that time, at the initiative of Ladislas the Short, the construction of the third Gothic cathedral began, the castle was expanded and the old wooden and earthen fortifications were replaced by brick ones. The tomb of Ladislas the Short in the cathedral started a royal necropolis of Polish kings in Krakow.The last descendant of the Piast dynasty, Casimir the Great (1333-1370) brought Wawel to a state of unprecedented splendour. In 1364 the expanded gothic castle witnessed the marriage of Casimir’s granddaughter Elizabeth to Charles IV accompanied by a famous convention of kings and princes, subsequently entertained by a rich burgher Wierzynek. The accession to the throne in 1385 of Jadwiga from the Hungarian dynasty of Andegavens, and her marriage to a Lithuanian prince Ladislas Jagiello (1386-1434) started another era of prosperity for Wawel. The royal court employed local and western European artists and also Rus painters. During the reign of Casimir Jagiellon (1447-1492) the silhouette of the hill was enriched by three high brick towers: the Thieves’ Tower, the Sandomierz Tower and the Senatorial Tower. The first humanists in Poland and tutors to the king’s sons: historian Jan Długosz and an Italian by the name Filippo Buonacorsi (also known as Callimachus) worked there at that time.

The Italian Renaissance arrived at Wawel in the early 16th century. King Alexander (1501-1506) and his brother Sigismund I the Old (1506-1548) commissioned the construction of a new palace in place of the Gothic residence, with an impressive large courtyard with arcaded galleries which was completed about 1540. Sigismund’s patronage also left an indelible impression in the cathedral, where a family chapel was erected, known today as Sigismund’s Chapel - the work of Bartolomeo of Berrecci Florence, and through various foundations, one of which was that of a large bell, called the Sigismund to commemorate the king. Close artistic and cultural relations with Italy were strengthened in 1518 by the king’s marriage to Bona Sforza. Alongside Italian artists, German architects, wood workers, painters and metal smiths worked for the king. The last descendant of the Jagiellonian dynasty, Sigismund II Augustus (1548-1572), enriched the castle’s interiors with a magnificent collection of tapestries woven in Brussels. In the “Golden Age” of Polish culture Wawel became one of the main centres of humanism in Europe.

The reign of Sigismund III Waza (1587-1632) also made a strong impression on the history of Wawel. After a fire in the castle in 1595 the king rebuilt the burned wing of the building in the early Baroque style. The relocation of the royal court to Warsaw was the cause of a slow but nevertheless steady deterioration in the castle’s condition. The monarchs visited Kraków only occasionally. Restoration of the castle was undertaken during the reign of John III Sobieski, the Wettins and Stanislas Augustus to counteract neglect.

After Poland had lost its independence in 1795, the troops of partitioning nations, Russia, Prussia and Austria, subsequently occupied Wawel which finally passed into the hands of the Austrians. The new owners converted the castle and some of the secular buildings into a military hospital, and demolished some others, including churches. After the period of the Free City of Kraków (1815-1846) Wawel was once more annexed by Austria and turned into a citadel dominating the city. By the resolution passed by the Seym of Galicia in 1880, the castle was presented as a residence to the Emperor of Austria Franz Josef I. The Austrian troops left the hill between 1905-1911. At the turn of the 20th century a thorough restoration of the cathedral was conducted, and shortly afterwards a process of restoration of the royal castle began which lasted several decades.

When Poland regained its independence in 1918, the castle served as an official residence of the Head of State, and as a museum of historic interiors. During the Nazi occupation the castle was the residence of the German governor general, Hans Frank. Polish people managed to remove the most valuable objects, including the tapestries and the “Szczerbiec” coronation sword to Canada, from where they returned as late as 1959-1961. At present, the main curators of Wawel are Wawel Royal Castle – State Art Collection and the Metropolitan Basilica Board on Wawel Hill.