Motovun (Montona) is a medieval town that grew up on the site of an ancient city called Castellieri. It is situated on a hill 270 metres above sea level with houses scattered all over the hill. On the inner walls are several coats-of-arms of different Motovun ruling families and two gravestones of Roman inhabitants (dating from the 1st century).
In the 10th and 11th centuries it belonged to the Bishop of Parenzo/Poreč. From 1278 it was taken over by Venice and surrounded by solid walls which are still intact today, and used as a walkway with unique views over the four corners of Istria. All three parts of the town are connected by a system of internal and external fortifications with towers and city gates containing elements of Romanesque, Gothic and Renaissance styles, built between the 14th and 17th centuries. It is a typical example of Venetian colonial architecture.
The late-Renaissance church of St. Stephen was built right at the beginning of the 17th century according to sketches probably designed by the well-known Venetian architect Andrea Palladio (1508–1580). The church contains several works of art: the marble statues of St. Stephen and St. Laurence by Francesco Bonazzo and the 17th-century painting of the Last Supper over the altar by an unknown Venetian artist. The water cisterns in the square in front of the church date from the 14th and 15th centuries.
Motovun is one of the most visited places in Croatia. It offers a view over the hills and vineyards with a tradition of very good wine and food.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.