St. Francis Church is situated next to the Franciscan monastery. In front of it there is a small square, formerly used as a cemetery. The construction of the church and the monastery reaches back to the year 1301. Despite many restorations, traces of the period in which the church was built can still be seen in the presbytery.
The present interior dates from the 17th century and the exterior from the 19th century. The left corner of the church is decorated in the Lombard style. The baldachin in front of the central altar dates from the 16th century. It was removed in the 18th century and restored to its original dwelling in the 19th century.
The most important painting is “Mary with all the Saints” by Vittore Carpaccio from the year 1518, which adorned the aedicula until 1940, when it was transferred to Italy. St. Francis Church is proud of its authentic gallery of paintings from the 17th and 18th centuries; the most important of which are: the Last Supper, the portraits of Pope Alexander V, Pope George II, St. Magdalena, St. John the Baptist, St. Peter, St. Paul and Samaritan Women by a Well.
Next to St. Francis Church is a Franciscan monastery with a gracefully designed atrium, the Cloister, which represents one of the best Cloister atrium designs in the coastal area. Leading to the Cloister there is a half-arched portal adorned with richly carved columns, bearing an architrave with an inscription and coats of arms.
In its entirety as well as its detail, the portal is considered to be the best example of stone carving art from the end of the 17th century in Piran. Due to its beautiful atmosphere and good acoustics, the Cloister has for many decades been the setting for the Musical Evenings of Piran.
The Pinacotheque, in the basement of the monastery, contains a collection of 14 high-quality paintings, painted mainly by unknown Venetian artists who used to decorate the monastery and the church.References:
The Arch of Constantine is situated between the Colosseum and the Palatine Hill. It was erected by the Roman Senate to commemorate Constantine I's victory over Maxentius at the Battle of Milvian Bridge in 312. Dedicated in 315, it is the largest Roman triumphal arch. The arch spans the Via triumphalis, the way taken by the emperors when they entered the city in triumph.
Though dedicated to Constantine, much of the decorative material incorporated earlier work from the time of the emperors Trajan (98-117), Hadrian (117-138) and Marcus Aurelius (161-180), and is thus a collage. The last of the existing triumphal arches in Rome, it is also the only one to make extensive use of spolia, reusing several major reliefs from 2nd century imperial monuments, which give a striking and famous stylistic contrast to the sculpture newly created for the arch.
The arch is 21 m high, 25.9 m wide and 7.4 m deep. Above the archways is placed the attic, composed of brickwork reveted (faced) with marble. A staircase within the arch is entered from a door at some height from the ground, on the west side, facing the Palatine Hill. The general design with a main part structured by detached columns and an attic with the main inscription above is modelled after the example of the Arch of Septimius Severus on the Roman Forum.