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The Church of Snowy Mary was first mentioned in the year 1404. A rich lady from Piran donated the money for its construction. A Baroque altar from the 17th century decorates the presbytery. There are many paintings on the walls, in wooden and fretted frames, made in the year 1666 by B. Marangoni from Mantova.
On the east side, above the entrance, there is the main painting from the second half of the 17th century portraying the wonders of snow. The paintings of the Crucifixion and Revelation were discovered on the arch wall in the year 1969. The painting of the Revelation dates from the year 1430 and is the work of a Venetian painter. The Crucifixion on a pointed Gothic arch was painted later, between the years 1450 and 1460. It was presumably painted by art master Nicolo di Antonio from Piran, who worked in Padova, as substantiated by various archive sources.
References:The Arch of Constantine is situated between the Colosseum and the Palatine Hill. It was erected by the Roman Senate to commemorate Constantine I's victory over Maxentius at the Battle of Milvian Bridge in 312. Dedicated in 315, it is the largest Roman triumphal arch. The arch spans the Via triumphalis, the way taken by the emperors when they entered the city in triumph.
Though dedicated to Constantine, much of the decorative material incorporated earlier work from the time of the emperors Trajan (98-117), Hadrian (117-138) and Marcus Aurelius (161-180), and is thus a collage. The last of the existing triumphal arches in Rome, it is also the only one to make extensive use of spolia, reusing several major reliefs from 2nd century imperial monuments, which give a striking and famous stylistic contrast to the sculpture newly created for the arch.
The arch is 21 m high, 25.9 m wide and 7.4 m deep. Above the archways is placed the attic, composed of brickwork reveted (faced) with marble. A staircase within the arch is entered from a door at some height from the ground, on the west side, facing the Palatine Hill. The general design with a main part structured by detached columns and an attic with the main inscription above is modelled after the example of the Arch of Septimius Severus on the Roman Forum.