The Church of Snowy Mary was first mentioned in the year 1404. A rich lady from Piran donated the money for its construction. A Baroque altar from the 17th century decorates the presbytery. There are many paintings on the walls, in wooden and fretted frames, made in the year 1666 by B. Marangoni from Mantova.
On the east side, above the entrance, there is the main painting from the second half of the 17th century portraying the wonders of snow. The paintings of the Crucifixion and Revelation were discovered on the arch wall in the year 1969. The painting of the Revelation dates from the year 1430 and is the work of a Venetian painter. The Crucifixion on a pointed Gothic arch was painted later, between the years 1450 and 1460. It was presumably painted by art master Nicolo di Antonio from Piran, who worked in Padova, as substantiated by various archive sources.
References:The historic city of Trogir is situated on a small island between the Croatian mainland and the island of Čiovo. Since 1997, it has been included in the UNESCO list of World Heritage Sites for its Venetian architecture.
Trogir has 2300 years of continuous urban tradition. Its culture was created under the influence of the ancient Greeks, and then the Romans, and Venetians. Trogir has a high concentration of palaces, churches, and towers, as well as a fortress on a small island. The orthogonal street plan of this island settlement dates back to the Hellenistic period and it was embellished by successive rulers with many fine public and domestic buildings and fortifications. Its beautiful Romanesque churches are complemented by the outstanding Renaissance and Baroque buildings from the Venetian period.
Trogir is the best-preserved Romanesque-Gothic complex not only in the Adriatic, but in all of Central Europe. Trogir's medieval core, surrounded by walls, comprises a preserved castle and tower and a series of dwellings and palaces from the Romanesque, Gothic, Renaissance and Baroque periods. Trogir's grandest building is the church of St. Lawrence, whose main west portal is a masterpiece by Radovan, and the most significant work of the Romanesque-Gothic style in Croatia.