Pietrapelosa is a castle in the Croatian part of Istria, now ruined. In the medieval period a family took their name from the castle. 'Pietrapelosa' comes from the Italian words meaning 'hairy stone' after the moss that has always grown on the walls of the castle. It is one of the best-preserved of the Istrian castles.
Pietrapelosa is a few kilometers west of Buzet in a strategic location at the head of the Bračana valley. It is first mentioned in a document of 965 AD. in a deed recording its gift by Rodaold, patriarch of Aquileia to the bishopric of Poreč. In the 13th century it was given to a family of German knights who assumed the name of the castle, 'de Pietrapelosa'. The castle was the seat of the Aquileian lieutenant governor of Istria. The Venetian commander Taddeo d'Este conquered the castle and abolished the secular rule of the patriarchs of Aquileia in 1421, with Istria being divided between the Republic of Venice and the Habsburg County of Pazin. The Venetian Council of Tengranted the castle to the nobleman Nicolò Gravisi in 1440, giving him the title if Marquis of Pietrapelosa. He renovated the castle for use as a summer residence. In 1635 a fire destroyed the interior of the castle, but it was restored and inhabited until the 18th century. The Gravis family owned the castle until the final abolition of the feudal system in 1869. They were the only aristocratic family in Koper to own such an estate.
The castle was surrounded by three-story walls, which are still intact. It included a main four-story polygonal watchtower, sometimes also used as a residence. There was also a house and a palace chapel of St. Mary Magdalene dating from the 12th century. The chapel is built in the classic Istrian style with one nave and a bell tower. A residential area was built on a crag beside the castle with no walls. The castle avoided destruction throughout the many wars that ravaged Istria. However, it fell into ruin after being abandoned, and has only recently been restored. From the castle there is a dramatic view of Northern Istria.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.