The Euphrasian Basilica complex, including a sacristy, baptistery and the bell tower of the nearby archbishop's palace, is an excellent example of early Byzantine architecture in the Mediterranean region. The Basilica has been inscribed on the UNESCO World Heritage List since 1997.
The earliest basilica was dedicated to Saint Maurus of Parentium and dates back to the second half of the 4th century. The floor mosaic from its oratory, originally part of a large Roman house, is still preserved in the church garden. This oratorium was already expanded in the same century into a church composed of a nave and one aisle (basilicae geminae). The fish on the floor mosaic dates from this period. Coins with the portrayal of emperor Valens (365–378), found in the same spot, confirm these dates.
The present basilica, dedicated to Mary, was built in the sixth century during the period of Bishop Euphrasius. It was built from 553 on the site of the older basilica that had become dilapidated. For the construction, parts of the former church were used and the marble blocks were imported from the coast of the Sea of Marmara. The wall mosaics were executed by Byzantian masters and the floor mosaics by local experts. The construction took about ten years. Euphrasius, holding the church in his arms, is represented on one of the mosaics on the apse, next to St. Maurus.
Following the earthquake of 1440 the southern wall of the central nave of the basilica was restored, so that in place of the windows which were destroyed, other were built in the Gothic style.
The most striking feature of the basilica are its mosaics, dating from the 6th century. The mosaics which decorate the inside and facade of the church are considered a valuable bequest of Byzantine art, and thanks to the floor mosaics and preserved writings the periods of its construction and renovation can be read.
The apsis is dominated by the marble ciborium, modelled after the one in St. Mark's in Venice, it was built in 1277 on the orders of Otto, Bishop of Poreč. The canopy, decorated with mosaics, is carried by four marble columns that belonged to the previous 6th-century ciborium. The front side of the canopy depicts representations of scenes from Mary's life, the Annunciation. In the 15th century Bishop Johann Porečanin ordered in Italy a Renaissance relief for the antependium of the altar, made of gilded silver. The polyptych of the Venetian painter Antonio Vivarini dates from the same period. The Last Supper, painted by Palma the Younger is a Baroquework.
References:Kakesbeck is one of the largest medieval fortifications in Münsterland and the oldest castle in Lüdinghausen. The imposingly grown complex originated in 1120 as a motte, a small hilltop tower castle. After numerous changes of ownership, the castle was extended onto two islands, but it was not until the 14th century that it underwent significant alterations and extensions under the von Oer family. The estate experienced its heyday in the middle of the 18th century, when it covered an area of almost one square kilometre and consisted of five further outer castles in addition to the core castle, which were secured by ramparts and moats.
The well-maintained condition of the castle today is thanks to the late Wilfried Grewing, the former lord of the castle. The foundation named after him has been particularly committed to preserving the property since 2020.