Holy Trinity Church is a historical building in Hrastovlje. There are two hypotheses about its origin. According to the first, it is a Romanesque church from the 12th century. According to the second, it is an example of the Istrian variant of Early Venetian Renaissance architecture from the 15th century. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.
The church and wall were built on bare rock, and for this reason do not have deep foundations. The church is built mostly out of stone, as is typical for the entire coastal region. The stones were never entirely covered in an outer layer of plaster, and it is thus possible to see how the church was built. One can see that top of the church spire was rebuilt at some time, although it is not known why. The church is topped with tiles made of thick plates. These are characteristic for older roofs in the Mediterranean region.
The church has only 2 windows (a third window was walled up in the past) as a result of the local weather conditions. In summer, a room with a small window was protected from the sun, while in winter it was protected from the bora. Because of the low number of windows, the inside of the church is however very dark. In 1896, a hole was knocked in the northern wall to create a new window, but unfortunately some of the frescoes in the church were destroyed at the same time.
Despite the lack of windows, the church nonetheless used to be better lit than it is today. This is the result of the addition of the powerful outer wall, which robs the church of much of its light.
Because of its height, the church is classed as a multi-layered church. The church in Hrastovlje differs from all other pilgrim churches in that its bell-tower is located on the western side and in that all other pilgrim churches have small wooden towers.
The church is 11.7 metres long and 6.05 metres wide and thereby one of the smallest churches in the area. It is not even as large as the average village church. Some claim that the church is an example of IstrianRenaissance architecture from the second half of the 15th century.
The appearance of the northwestern entrance to the church, as known today, dates back to around 1776. The original entrance was probably next to the bell-tower.
The church has been painted with Gothic frescoes by Johannes de Castua in 1490. Some of them include letters in the Glagolitic script. The most famous of these frescoes is a Dance of Death or 'Danse Macabre'.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.