Belmont Castle was built in the 10th or 11th century for the Freiherr von Belmont. The first recorded member of the family was Lutefridus de Belmonte in 1137/39. The Belmont family was related to a number of other Raetian noble families including the powerful von Vaz. By the 13th century they were one of the most powerful families in Graubünden. They owned castles and villages throughout the region. Konrad von Belmont was the Bishop of Chur from 1273 until 1282. In 1267 Heinrich von Belmont was the first student from Raetia to study at University of Bologna. By 1200 the Belmonts appear to have moved to another castle near Castrischand then to Tuma Casti by Domat/Ems, probably leaving a bailiff or vogt at Belmont.
In 1352 Ulrich Walter von Belmont led a successful uprising against the Counts of Werdenberg-Heiligenberg. Together with the armies of the Montalt and the Rhäzüns families they defeated a Werdenberg-Heiligenberg army at Mundaun near Ilanz. In retaliation, soon thereafter, a Werdenberg army burned Ilanz to the ground. It is unknown whether Belmont Castle was also attacked and destroyed or was bypassed, but by the late 14th century it had fallen into ruins. On 11 July 1371 Ulrich Walter von Belmont died childless and the Belmont lands were inherited by the Montalt and Sax-Misox families. In 1380 the Sax-Misox family traded the ruins of Belmont Castle as well as other lands to Brun von Rhäzüns. After the trade the castle remained abandoned and continued to disintegrate. From 1932 through 1936 the ruins were excavated and repaired.
The castle was built near the, now abandoned and vanished, Walser village of Fidaz near Flims. It was built on a rocky spire with sheer cliffs on the north and east sides. Very little is known about the construction history and layout of the castle. However, there were two semi-circular ring wall that wrapped around the east, north and north-west sides of the peak with the inner one built first followed by the outer later. The walls connected at least three buildings. The central and eastern building were probably residences. In the center of the half-circle is a 5.7 meters deep cistern. On the southern side of the castle is a smaller rocky peak that stands about 8 m above the castle and has a flat top that is about 10 m × 30 m. No stone ruins have been found on the small peak, so it was probably topped with one or more wooden buildings.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.