The Cathedral of Saint Mary of the Assumption is the Catholic cathedral of the diocese of Chur in Switzerland. The episcopal palace of the bishop of Chur is beside the church. The cathedral claims the relics of St Lucius of Britain, said to have been martyred nearby in the late 2nd century. During the Swiss Reformation, the Catholic population of the city were confined to a ghetto enclosed around the bishop's court beside the cathedral.
The first building on the site probably dates from the first half of the 5th century. The second church was built by Bishop Tello at some time before his death in 773. The current building was built between 1154 and 1270. In 1272 it was dedicated to The Assumption of the Blessed Virgin Mary. The round arch window along the center axis is the largest medieval window in Graubünden. The late-Gothic high altar was completed in 1492 by Jakob Russ.
In 1811 a fire destroyed the towers and roof of the cathedral. In 1828-29 the roof was replaced and the towers were rebuilt from the ground up. The marble floor in the choir was added in 1852. In 1884-86 the west window was reglazed and a new organ was built by F. Goll of Lucerne. Between 1921 and 1926 the entire church was completely renovated. The interior was completely cleaned, some of the plaster was removed from the walls, the altars were restored and the crypt floor was excavated. About a decade later, in 1937-38, another organ was added by Franz Gattringer of Horn in the Canton of Thurgau. For the rest of the 20th century a museum was added in the crypt and additional repairs, cleaning and renovations continued. For about six years, beginning in 2001, the cathedral was completely renovated and new organs replaced the Goll and Gattringer organs.
The west facade of the cathedral consists of a Romanesque portal with the large west window above. The portal is flanked by two simple pilasters. The iron work above the portal was created around 1730. The single bell tower is on the north side of the building between the nave and choir. It was completely rebuilt by Johann Georg Landthaler after the 1811 fire. The two story sacristy makes up the east end of the building. A 14th century round window is visible on the north side of the choir, along with three windows on the south side which were restored in 1924-25.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.