The original church at the site of Santa Croce was founded in 1080, outside the walls of the village under the patronage of Pope Gregory VII. With the expansion of the town, the church was rebuilt in 1596 using designs of Pellegrino Tibaldi.
One of the holy relics of the church is putatively a foot print of Christ, though made of Carrara marble, and, according to the tradition, dating back to the period of the Crusades. It is located between two of the chapels on a pilaster strip. In the third chapel on the right there is a canvas depicting the Adoration of Magi (1533) by Bernardino Lanino. In the fourth chapel, the altarpiece depicting St Michael defeating Satan by Guglielmo Caccia, also called Il Moncalvo. In the counterfacade there are two tempera canvases (1545) depicting Our Lady of the Annunciation and Archangel Gabriel, attributed to the Vigevanese painter Bernardino Ferrari.
The fourth chapel on the left exhibits a Virgin and Child and Saints by the 16th-century Venetian school and a 15th-century fresco representing St Augustine.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.