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The Abbey of Sant'Albino is a church-monastery complex, founded in the 5th century in Mortara. In 774 the abbot Alkwin Albin added a canonical college to the church, which had become a stopping place for pilgrims traveling south to Rome.
The church of Sant'Eusebio had putatively been founded by Charlemagne to bury the soldiers of his army who died locally in a battle on October 12, 773. Among the casualties there were also two paladins of Charlemagne's, Amelius of Alvernia and Amicus from Beyre.
The church has been refurbished over the centuries, and the architecture is eclectic, mingling the original Romanesque style, clearly recognizable in the hemicircular apse, with the Renaissance style, to be found in the facade and in the nave.
Against the southern side of the portico of the facade, is a building, perhaps a part of the ancient monastery. Beside the church, there are the ruins of the cloister, a brick open gallery with wooden architraves and with a 14th-century Gothic window decorated with rural motives. In the interior, on the right wall, are three frescoes (1410) painted by Giovanni da Milano depicting St Anthony Abbott, the Baptism of Jesus, and an Enthroned Virgin with Donor and Saints Albin, Jacob, and Augustine. Another fresco, by an unknown 15th-century painter depicts St Laurentius with the symbol of his martyrdom in his hand. Next to this fresco are graffiti carved in the bricks by the pilgrims over the ages: the most ancient is from the year 1100. Another anonymous fresco is on the left part of the presbytery and represents Virgin with Child and Saints.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.