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The Abbey of Sant'Albino is a church-monastery complex, founded in the 5th century in Mortara. In 774 the abbot Alkwin Albin added a canonical college to the church, which had become a stopping place for pilgrims traveling south to Rome.
The church of Sant'Eusebio had putatively been founded by Charlemagne to bury the soldiers of his army who died locally in a battle on October 12, 773. Among the casualties there were also two paladins of Charlemagne's, Amelius of Alvernia and Amicus from Beyre.
The church has been refurbished over the centuries, and the architecture is eclectic, mingling the original Romanesque style, clearly recognizable in the hemicircular apse, with the Renaissance style, to be found in the facade and in the nave.
Against the southern side of the portico of the facade, is a building, perhaps a part of the ancient monastery. Beside the church, there are the ruins of the cloister, a brick open gallery with wooden architraves and with a 14th-century Gothic window decorated with rural motives. In the interior, on the right wall, are three frescoes (1410) painted by Giovanni da Milano depicting St Anthony Abbott, the Baptism of Jesus, and an Enthroned Virgin with Donor and Saints Albin, Jacob, and Augustine. Another fresco, by an unknown 15th-century painter depicts St Laurentius with the symbol of his martyrdom in his hand. Next to this fresco are graffiti carved in the bricks by the pilgrims over the ages: the most ancient is from the year 1100. Another anonymous fresco is on the left part of the presbytery and represents Virgin with Child and Saints.
References:The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.