Castle of Los Zúñiga was built in the 15th century by D. Pedro de Zuñiga. Its objective was to defend the passage of Barca del Río Piedras.
Its structure is rectangular in shape and consists of a wall circuit with seven square towers at the corners and on the front and side canvases. The most important towers are the bell tower and the homage tower. In addition to these towers, there was a second outer low wall, already disappeared.
In the 16th century the castle was refortified. Barbican was added, which was specially conditioned. It was an ideal refuge for citizens before the attacks of the Portuguese occurred in the 17th century and ended up consolidating the current town.
In the 18th century, it was planned to convert it into a barracks for the guard corps but discarded the project ended abandoned in 1812.
In 1815, the Duke of Béjar transferred the property to the Villa. In 1817, it was disarmed and adapted for cemeteries, dismantling the barbican and building barracks of vaults attached to the walls inside. He kept this use up to 1,872. Then it was destined to deposit coals and wood, after its desacralization.
In 1880 the file for the demolition is instructed, for its state of ruin, which is understood to threaten to collapse, and the corpses that are still preserved in the vaults, not those on the ground, are exhumed. As on other subsequent occasions, the demolition was not carried out due to the difficulties involved, acting simply to consolidate the most dangerous.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.