The Castle of Zahara de los Atunes and Palace of Jadraza is a medieval castle on Spain's coast. In 1294, King Sancho IV of Castile granted a licence to Don Alonso Pérez de Guzmán to build traps for tuna fishing in reward for his heroic defense of Tarifa. Guzman fisheries in Zahara de los Atunes and Conil de la Frontera were for centuries the most productive in Europe provoking the development of important auxiliary buildings.
The Palace served three functions: as a fortified castle to protect against Barbary pirates, a residential palace during the Tuna Season and a processing plant to deal with the tuna. Its location at a strategic point of the Strait of Gibraltar has been given prominence in numerous historical events, and it maintains a continued presence in coastal mapping. In the twentieth century the building was used by the fishing industry before becoming a barracks.
Building is a square structure defined by four defensive walls with parapet surmounted with a narrow walkway. In the north-west corner is the so-called Torre de Poniente which has an inner chamber beneath a high domed roof also with a parapet. In the north-east are the remains of de la Torre de Levante. Both towers were designed as corbelled spaces to overlook the defensive curtain walls.
The main gateway is located in the west wall, the two sea gates are in the south, which originally also provided access to large patio inner enclosure of the building. In the twentieth century 'New Gate' was added in the north wall, where there are also various other piercings introduced for practical reasons as the use of the building developed over time.
The factory is made of regular masonry blocks with lime grout and pebbles. The corners boast reinforced stonework. The three original stone doors were of generous proportions with arches and keystones . At the sea gates, two separate buttresses of considerable thickness are arranged inward to reinforce them in their defensive mission.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.