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Portofino is an Italian fishing village and holiday resort famous for its picturesque harbour and historical association with celebrity and artistic visitors.
Pliny the Elder (AD 23 – AD 79) referred to Portus Delphini (Port of the Dolphin) as on the Ligurian coast between Genoa and the Gulf of Tigullio.
The village is mentioned in a diploma from 986 by Adelaide of Italy, which assigned it to the nearby Abbey of San Fruttuoso di Capodimonte. In 1171, together with the neighbouring Santa Margherita Ligure, it was included in Rapallo's commune jurisdiction. After 1229 it was part of the Republic of Genoa. The town's natural harbour supported a fleet of fishing boats, but was somewhat too cramped to provide more than a temporary safe haven for the growing merchant marine of the Republic of Genoa.
In 1409 Portofino was sold to the Republic of Florence by Charles VI of France, but when the latter was ousted from Genoa the Florentines gave it back. In the 15th century it was a fief of families such as the Fieschi, Spinola, Adorno, and Doria.
In 1815 it became part of the Kingdom of Sardinia and, from 1861, of the unified Kingdom of Italy.
In the late 19th century, first British, then other Northern European aristocratic tourists began to visit Portofino, which they reached by horse and cart from Santa Margherita Ligure. Aubrey Herbert and Elizabeth von Arnim were amongst the more famous English people to make the area fashionable. Eventually, more expatriates built expensive vacation houses, and by 1950 tourism had replaced fishing as the town's chief industry, and the waterfront was a continuous ring of restaurants and cafés.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.