The Convent of Monterosso al Mare, property of the Order of Capuchin Friars Minor of the province of Genoa, has always been a landmark both for the local community and for visitors to the Cinque Terre.
From the history of Monterosso, it is clear how the Capuchin Friars have always been part of the community and a reliable spiritual reference. The Monterosso population has always loved and respected the Convent, which, together with the Sanctuary of the Madonna of Soviore, represents a deeply intense reference point of devotion.
Local residents have always had a particular veneration for this site. It has always been held in great reverence and is greatly loved by the population.
It overlooks the Monterosso Bay and is located on the promontory that separates the ancient part of the town from the Fegina locality, which has sprung up in recent times.
The convent is visible from all parts of the Cinque Terre and is a prime attraction for tourists, thanks to its historical and artistic treasures. They are reminiscent of the 1600 building in Capuchin style, with the altar and choir in wood. Among its works of art is a 'Crucifixion', attributed to Van Dyck and 'Saint Girolamo the penitent' by Luca Cambiaso. The refectory with its vaulted ceiling features Strozzi’s 'Veronica'. The convent has maintained the characteristics typical of the time of its origins, in addition to the sublime view invites contemplation.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.