The Convent of Monterosso al Mare, property of the Order of Capuchin Friars Minor of the province of Genoa, has always been a landmark both for the local community and for visitors to the Cinque Terre.
From the history of Monterosso, it is clear how the Capuchin Friars have always been part of the community and a reliable spiritual reference. The Monterosso population has always loved and respected the Convent, which, together with the Sanctuary of the Madonna of Soviore, represents a deeply intense reference point of devotion.
Local residents have always had a particular veneration for this site. It has always been held in great reverence and is greatly loved by the population.
It overlooks the Monterosso Bay and is located on the promontory that separates the ancient part of the town from the Fegina locality, which has sprung up in recent times.
The convent is visible from all parts of the Cinque Terre and is a prime attraction for tourists, thanks to its historical and artistic treasures. They are reminiscent of the 1600 building in Capuchin style, with the altar and choir in wood. Among its works of art is a 'Crucifixion', attributed to Van Dyck and 'Saint Girolamo the penitent' by Luca Cambiaso. The refectory with its vaulted ceiling features Strozzi’s 'Veronica'. The convent has maintained the characteristics typical of the time of its origins, in addition to the sublime view invites contemplation.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.