The Convent of Monterosso al Mare, property of the Order of Capuchin Friars Minor of the province of Genoa, has always been a landmark both for the local community and for visitors to the Cinque Terre.
From the history of Monterosso, it is clear how the Capuchin Friars have always been part of the community and a reliable spiritual reference. The Monterosso population has always loved and respected the Convent, which, together with the Sanctuary of the Madonna of Soviore, represents a deeply intense reference point of devotion.
Local residents have always had a particular veneration for this site. It has always been held in great reverence and is greatly loved by the population.
It overlooks the Monterosso Bay and is located on the promontory that separates the ancient part of the town from the Fegina locality, which has sprung up in recent times.
The convent is visible from all parts of the Cinque Terre and is a prime attraction for tourists, thanks to its historical and artistic treasures. They are reminiscent of the 1600 building in Capuchin style, with the altar and choir in wood. Among its works of art is a 'Crucifixion', attributed to Van Dyck and 'Saint Girolamo the penitent' by Luca Cambiaso. The refectory with its vaulted ceiling features Strozzi’s 'Veronica'. The convent has maintained the characteristics typical of the time of its origins, in addition to the sublime view invites contemplation.
References:Linderhof is the smallest of the three palaces built by King Ludwig II of Bavaria and the only one which he lived to see completed.
Ludwig II, who was crowned king in 1864, began his building activities in 1867-1868 by redesigning his rooms in the Munich Residenz and laying the foundation stone of Neuschwanstein Castle. In 1868 he was already making his first plans for Linderhof. However, neither the palace modelled on Versailles that was to be sited on the floor of the valley nor the large Byzantine palace envisaged by Ludwig II were ever built.
Instead, the new building developed around the forester's house belonging to his father Maximilian II, which was located in the open space in front of the present palace and was used by the king when crown prince on hunting expeditions with his father.