Castello Brown is a house museum located high above the harbour of Portofino. The castle's site is well suited for harbour defence, and appears to have been so used since the 15th century. According to the Record Office of Genoa, cannon batteries were constructed on the site in the early 16th century, and military engineer Giovanni Maria Olgiati drew up plans for a full fortress circa 1554. The resultant castello was completed by 1557, and, in 1575, was instrumental in turning back an attack on the town by Giò Andrea Doria. The structure was enlarged from 1622 to 1624, and survived in this form for a century and a half. The little tower was destroyed in 1798 by an English attack during Napoleon's Ligurian Republic. The castello was abandoned after the Congress of Vienna in 1815.
In 1867, the structure was purchased for 7,000 lire by Montague Yeats-Brown, then English consul in Genoa. He engaged the architect Alfredo D'Andrade, and with advice from his artist friend and fellow-consul James Harris the fort was transformed to a comfortable villa without substantial alteration in its general form. His descendants held the property until 1949, then sold it to an English couple, Colonel and Mrs. John Baber, who restored several ruined sections, until they in turn sold it in 1961 to the City of Portofino.
Elizabeth von Arnim wrote her book The Enchanted April at the castello in 1922. The 1992 movie was also filmed there.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.