Tiglieto Abbey, founded in 1120, was the first Cistercian abbey to be founded in Italy, and also the first outside France. It was a daughter house of La Ferté Abbey. The first abbot was probably Opizzone. It may have gained the name Tiglieto after being given the estate of that name by the Margrave Anselm of Ponsone in 1131.
In 1442, through Pope Eugenius IV, Tiglieto became an abbey in commendam. In 1648 it was turned into a family estate of the last commendatory abbot, Cardinal Raggio, and dissolved. In 1747 the area was occupied by the Austrians, who shortly afterwards were driven out by the Genoese. In 2000 Tiglieto was reoccupied by the Cistercians.
The church is a primitive Romanesque brick basilica; the original side-chapels were removed in the 14th century to make way for a new east end. The nave was vaulted in the Baroque period, and a new choir at the west end was added at the same time, as was a Baroque campanile.
The conventual buildings are to the south of the church. The early Gothic chapter house in the east range has survived, with a square chapter room with nine bays from the early 13th century and symmetrical triforium windows looking onto the central courtyard and the site of the cloister, no longer extant, with the dormitory with bricked-up windows in the upper storey, as have the sacristy, the Fraternei and to the south the refectory building, as well as the lay brothers' block in the west, now converted for residential purposes.
The entire precinct was renovated for the new community that took over the premises in 2000.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.