The Visconti Castle is a castle of Middle Age origin located in Cassano d'Adda. It received the current form in the 14th century, when Bernabò Visconti, lord of Milan, enlarged the existing fortification as part of a defensive system of the Visconti dominions on the Adda river. At the end of the 20th century, after a period of abandonment, it was restored and transformed into a hotel.
A castle in the area is supposed to have existed since the carolingean time. Near the castle, on 27 September 1259, the Battle of Cassano was fought between the two Milanese factions supporting Ezzelino da Romano and Martino Della Torre. The battle ended with the defeat of Ezzelino and the confirmation of the Della Torre family as lords of Milan.
The castle was acquired by the Visconti house after their victory over the Della Torre in the fight for the lordship of Milan. In 1355, it was assigned to Bernabò within the division among him and his brothers Matteo II and Galeazzo II. Between 1355 e 1370, Bernabò, who had received the eastern portion of the Visconti territories, built a defensive line along the Adda river. As part of it, the existing fortification of Cassano d'Adda was strengthened and enlarged.
In the 15th century, Francesco Sforza consolidated the castle with the imposing buttresses, elevated over the Muzza canal, which today characterise the castle.
In the following centuries, lost its military importance, the castle was used for different purposes: warehouse, prison and recovery for homeless people. In the 20th century, restoration works were undertaken, bringing back the castle to its original features. During these works, Middle Age frescos were discovered on the walls and on the vaulted ceilings and accordingly preserved.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.