St. Michael Archangel's Church in Smolnik was built the eighteenth-century, which together with different tserkvas is designated as part of the UNESCO Wooden tserkvas of the Carpathian region in Poland and Ukraine.
The first reference to the existence of an Eastern Orthodox Church tserkva in Smolnik comes from a register in 1589 of the Sanok Land. It is presumed that the wooden tserkva was built at the start of the village, in 1530. The tserkva was most likely destroyed by fire or flooding. The second Eastern Orthodox Church tserkva in the village was raised in 1602, with the parish priest being Jan Hryniewiecki. The tserkva burnt down in October 1672, most likely due to Tatar invasions. After 1672, another tserkva was raised in a different location to increase its defence from invasions. Since 1697, the Uniate treaty was enforced into the Smolnik parish. The fourth tserkva to be built in the village was completed in August 1, 1791.
The first major restoration of the tserkva was carried out in 1921, largely financed by the parish. The roof wood shingle was replaced with tin and the iconostasis renovated. The tserkva's affiliation was to the Ukrainian Greek Catholic Church until 1951 (when as part of the 1951 Polish–Soviet territorial exchange, Smolnik was returned to Poland and the populace of the area moved to the Soviet Union. Parts of the tserkva's interior was moved to Łańcut. In 1974, the tserkva was transferred to the Roman Catholic parish. The tserkva had undergone a major renovation between 2004 and 2005.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.