Dolmen de Dombate is arguably the one of the most valuable megaliths located in Spain. Not only due to the relative good conservation of the monument, but also for several peculiarities that make it unique. The monument is actually two Tombs constructed in two different time frames, one over the other. The dolmen (dated 3900 BC) is composed of a 24m diameter, 1,8m high barrow which does not seem to have totally covered the actual chamber. The later is a poligonal chamber composed of seven orthostats (the bigger one at the back of the monument is 4,7x3m) covered by a massive capstone. This chamber was accessed by a three segment - 4m long - corridor made of six orthostats of decreasing heights. The corridor, covered by a capstone and probably by the barrow, is oriented to the East.
Inside the megalith, several petroglyphs have been found, but what makes this Dolmen unique in Spain is the discovery of several paintings in both the chamber and the access corridor. These pictures are Zig-Zag motives in reddish colour with black dots over a whitish base. Objects encountered inside the tomb reveal different periods of usage, and range from early neolithic silex blades to pre-beaker pottery. All in all the Dolmen was used from its creation (3900 BC) to 2700BC when a final lith was installed blocking all access.Other objects dating from 2700BC to contemporary times have been found since the first re-opening of the megalith by Beaker Culture gravediggers.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.